A conceptual model of creative ideation using 3D non-parametric modelling tools among architecture students / Mayamin Yuhaniz

The non-parametric 3D modelling tooi is one of the alternative methods for the creative architectural works. It facilitates mental images and the abstract nature of idea generation, which is akin to sketching and physical model creation compared to parametric design tools. However, the tools are not...

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Bibliographic Details
Main Author: Yuhaniz, Mayamin
Format: Thesis
Language:English
Published: 2024
Subjects:
Online Access:https://ir.uitm.edu.my/id/eprint/102198/1/102198.pdf
https://ir.uitm.edu.my/id/eprint/102198/
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Institution: Universiti Teknologi Mara
Language: English
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Summary:The non-parametric 3D modelling tooi is one of the alternative methods for the creative architectural works. It facilitates mental images and the abstract nature of idea generation, which is akin to sketching and physical model creation compared to parametric design tools. However, the tools are not quietly used in the stage of design conceptualization but rather as a presentation tooi. To what extent can the tooi expand architectural design concepts' creative output? What are the cognitive creative process that involves in different levels of creative output? The research aims to propose a model of creative conceptual ideation of non-parametric 3D modelling tooi for architecture students. Three objectives were conducted, (i) to identify the creativity indicators for a creative conceptual ideation; (ii) to evaluate the creativity level of a conceptual ideation of 3D modelling tooi; and (iii) to analyse the creativity process in a conceptual ideation of 3D modelling tooi. In solving the objectives, the research used a quantitative method approach to identify the creativity level and creative process. An experimental-posttest was conducted to two different groups of final-year architecture students from UiTM, Perak Branch, Malaysia. The first group served as a control group whilst the second group were high performing students. Similar design competence among participants allows the identification of the creative process. The experiment required participants to perform a 45-minute design task using the tooi from start to finish. The study finalized 4 creative indicators as fluency (number of ideas), flexibility (types of ideas), originality (uniqueness) and functionality (practicality). High fluency drawings were gathered as drawing samples for further creativity evaluations. 59 practicing architects and architecture academicians partake in the evaluation of 13 drawings using a 7-point Semantic scale survey to objectively evaluate creativity level of design concept output that is subjective in nature. The posttest of the experiment collected a series of 5-point Likert scale questions relating to the participants' creative process during the design task. The relationship of fluency was analysed with the evaluated creative output and creative process. The relationships were developed into a model. The main findings evaluated the drawings to be more functional than original. Only a small porti on of students were able to produce unique solutions, even from high performing students. However, higher originality can be seen in each participant's later alternatives. The flexibility was seen increasing by the third alternative and above. The higher number of alternatives equivalents to higher actions, which in past study is applied by higher competent designers. The model recommends architecture students to use nonparametric 3D modelling tooi in design conceptual ideation by producing multiple actions and alternatives to achieve original unique ideas. The original alternative can later be developed for functionality using the tooi.