The applicability of Awan Larat motif on modern typeface representing the Malay identity / Siti Sarah Adam Wan and Mohd Zaki Mohd Fadil

The selection of typeface is more than merely picking aesthetically pleasing typefaces; it is a crucial aspect of any digital design. In Graphic Design to have aesthetic appeal, it must have a clear visual hierarchy, a well-balanced design, and an overall tone that is consistent throughout. Other me...

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Main Authors: Adam Wan, Siti Sarah, Mohd Fadil, Mohd Zaki
Format: Article
Language:English
Published: Faculty of Art and Design 2022
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Online Access:https://ir.uitm.edu.my/id/eprint/68838/1/68838.pdf
https://ir.uitm.edu.my/id/eprint/68838/
https://melaka.uitm.edu.my/ijad/
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Institution: Universiti Teknologi Mara
Language: English
id my.uitm.ir.68838
record_format eprints
spelling my.uitm.ir.688382022-11-01T00:31:06Z https://ir.uitm.edu.my/id/eprint/68838/ The applicability of Awan Larat motif on modern typeface representing the Malay identity / Siti Sarah Adam Wan and Mohd Zaki Mohd Fadil Adam Wan, Siti Sarah Mohd Fadil, Mohd Zaki Wood engravers (Lives and works) Malaysia The selection of typeface is more than merely picking aesthetically pleasing typefaces; it is a crucial aspect of any digital design. In Graphic Design to have aesthetic appeal, it must have a clear visual hierarchy, a well-balanced design, and an overall tone that is consistent throughout. Other media such as wood carving patterns, murals, and graffiti art may also incorporate such typefaces. The design idea shall govern the precise patterns and motifs that could be applied to the typeface to make it more visually pleasant to the eye. One of the popular traditional ornaments in wood carving worn in Malaysia, known as Awan Larat. However, this traditional ornament, becoming increasingly irrelevant in the contemporary world. This is occurring due to technological improvements and a general lack of interest and appreciation on the side of the new generation of Malay population. The aim of this research is to determine that the Awan Larat motif can be adopted on a modern font representing the Malay identity on typefaces. As a result, the researcher was able to demonstrate how well the element of the Malay identity could blend with a modern font. This font can be used for a variety of purposes, including book and magazine covers, advertising, logos, and signage, among others. By using appealing fonts as a source of inspiration for native Malay components, it is possible to indirectly contribute to the development of Malay identity both inside and outside of Malaysia. It is hoped that this research will provide a better understanding of the significance of using this traditional motif in a modern typeface to raise awareness of the Malay people's cultural heritage values. Faculty of Art and Design 2022 Article PeerReviewed text en https://ir.uitm.edu.my/id/eprint/68838/1/68838.pdf The applicability of Awan Larat motif on modern typeface representing the Malay identity / Siti Sarah Adam Wan and Mohd Zaki Mohd Fadil. (2022) International Journal of Art and Design (IJAD), 6 (2). pp. 26-34. ISSN 2710-5776 https://melaka.uitm.edu.my/ijad/
institution Universiti Teknologi Mara
building Tun Abdul Razak Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Teknologi Mara
content_source UiTM Institutional Repository
url_provider http://ir.uitm.edu.my/
language English
topic Wood engravers (Lives and works)
Malaysia
spellingShingle Wood engravers (Lives and works)
Malaysia
Adam Wan, Siti Sarah
Mohd Fadil, Mohd Zaki
The applicability of Awan Larat motif on modern typeface representing the Malay identity / Siti Sarah Adam Wan and Mohd Zaki Mohd Fadil
description The selection of typeface is more than merely picking aesthetically pleasing typefaces; it is a crucial aspect of any digital design. In Graphic Design to have aesthetic appeal, it must have a clear visual hierarchy, a well-balanced design, and an overall tone that is consistent throughout. Other media such as wood carving patterns, murals, and graffiti art may also incorporate such typefaces. The design idea shall govern the precise patterns and motifs that could be applied to the typeface to make it more visually pleasant to the eye. One of the popular traditional ornaments in wood carving worn in Malaysia, known as Awan Larat. However, this traditional ornament, becoming increasingly irrelevant in the contemporary world. This is occurring due to technological improvements and a general lack of interest and appreciation on the side of the new generation of Malay population. The aim of this research is to determine that the Awan Larat motif can be adopted on a modern font representing the Malay identity on typefaces. As a result, the researcher was able to demonstrate how well the element of the Malay identity could blend with a modern font. This font can be used for a variety of purposes, including book and magazine covers, advertising, logos, and signage, among others. By using appealing fonts as a source of inspiration for native Malay components, it is possible to indirectly contribute to the development of Malay identity both inside and outside of Malaysia. It is hoped that this research will provide a better understanding of the significance of using this traditional motif in a modern typeface to raise awareness of the Malay people's cultural heritage values.
format Article
author Adam Wan, Siti Sarah
Mohd Fadil, Mohd Zaki
author_facet Adam Wan, Siti Sarah
Mohd Fadil, Mohd Zaki
author_sort Adam Wan, Siti Sarah
title The applicability of Awan Larat motif on modern typeface representing the Malay identity / Siti Sarah Adam Wan and Mohd Zaki Mohd Fadil
title_short The applicability of Awan Larat motif on modern typeface representing the Malay identity / Siti Sarah Adam Wan and Mohd Zaki Mohd Fadil
title_full The applicability of Awan Larat motif on modern typeface representing the Malay identity / Siti Sarah Adam Wan and Mohd Zaki Mohd Fadil
title_fullStr The applicability of Awan Larat motif on modern typeface representing the Malay identity / Siti Sarah Adam Wan and Mohd Zaki Mohd Fadil
title_full_unstemmed The applicability of Awan Larat motif on modern typeface representing the Malay identity / Siti Sarah Adam Wan and Mohd Zaki Mohd Fadil
title_sort applicability of awan larat motif on modern typeface representing the malay identity / siti sarah adam wan and mohd zaki mohd fadil
publisher Faculty of Art and Design
publishDate 2022
url https://ir.uitm.edu.my/id/eprint/68838/1/68838.pdf
https://ir.uitm.edu.my/id/eprint/68838/
https://melaka.uitm.edu.my/ijad/
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