Subversive!sue--the study of Mary Sue as empowerment in fan fiction
This thesis, like all Mary Sue fan fics, is all about Mary Sue -- specifically, how her being larger-than-life is, in fact, a perfect fit within fan fiction. She too is but a form of fantasy fulfillment, and thus should be right at home within fan fiction -- it is simply from the viewpoint of those...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | text |
| اللغة: | English |
| منشور في: |
Animo Repository
2007
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://animorepository.dlsu.edu.ph/etd_bachelors/2287 |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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| الملخص: | This thesis, like all Mary Sue fan fics, is all about Mary Sue -- specifically, how her being larger-than-life is, in fact, a perfect fit within fan fiction. She too is but a form of fantasy fulfillment, and thus should be right at home within fan fiction -- it is simply from the viewpoint of those who constrain themselves within the box of the believable and the real that see her as a deviant, even a nuisance. The thesis adopts John Fiske's view of television popular culture as a means of subversion against the homogenization and control of the culture that controls television: that television's adherence to what is accepted as real and logical is simply a discourse that the dominant group uses to naturalize what they believe is natural and, therefore, right. This struggle can also be seen within the ranks of popular culture-- within fan culture and fandoms, to be precise. A fandom's strict adherence to the reality and logic of its canon text can be seen as an attempt to impose its chosen -- its logical, natural -- interpretations of the canon text as the only good way of interpreting it, and therefore the Mary Sue becomes an attempt at subversion. |
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