The infinite jest: Heri Dono's Punakawan and their metamorphosis throughout Indonesia's new order regime and reformasi era
Why was wayang a popular visual iconography amongst all sociopolitical/cultural circles in post-independent modern Indonesia, particularly during the Suharto regime? What relationships are explored and fostered between artist-audience in a period where arts censorship was at an all-time high, ver...
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| 格式: | Final Year Project |
| 語言: | English |
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Nanyang Technological University
2024
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| 主題: | |
| 在線閱讀: | https://hdl.handle.net/10356/178270 |
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