"Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences.

This research paper seeks to analyze disability and Bollywood song and dance sequences within the last decade. Song and dance sequences are fixed structures which value and presume a particular body type over others, thus simultaneously creating binaries of ability/disability and normal/abnormal. Wh...

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主要作者: Nurril Hirfana Mohamed Noor.
其他作者: Brian Keith Bergen-Aurand
格式: Final Year Project
語言:English
出版: 2013
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在線閱讀:http://hdl.handle.net/10356/52197
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spelling sg-ntu-dr.10356-521972019-12-10T13:21:54Z "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences. Nurril Hirfana Mohamed Noor. Brian Keith Bergen-Aurand School of Humanities and Social Sciences DRNTU::Humanities::Literature DRNTU::Visual arts and music::Film This research paper seeks to analyze disability and Bollywood song and dance sequences within the last decade. Song and dance sequences are fixed structures which value and presume a particular body type over others, thus simultaneously creating binaries of ability/disability and normal/abnormal. Where are 'disabled' bodies then located? How is difference projected in these sequences? My research paper will address these questions in the following films: Khamoshi - The Musical, Koi Mil Gaya, Koyla, Black, Taare Zameen Par, My Name is Khan and Barfi!. Bachelor of Arts 2013-04-25T02:48:40Z 2013-04-25T02:48:40Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/52197 en Nanyang Technological University 40 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities::Literature
DRNTU::Visual arts and music::Film
spellingShingle DRNTU::Humanities::Literature
DRNTU::Visual arts and music::Film
Nurril Hirfana Mohamed Noor.
"Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences.
description This research paper seeks to analyze disability and Bollywood song and dance sequences within the last decade. Song and dance sequences are fixed structures which value and presume a particular body type over others, thus simultaneously creating binaries of ability/disability and normal/abnormal. Where are 'disabled' bodies then located? How is difference projected in these sequences? My research paper will address these questions in the following films: Khamoshi - The Musical, Koi Mil Gaya, Koyla, Black, Taare Zameen Par, My Name is Khan and Barfi!.
author2 Brian Keith Bergen-Aurand
author_facet Brian Keith Bergen-Aurand
Nurril Hirfana Mohamed Noor.
format Final Year Project
author Nurril Hirfana Mohamed Noor.
author_sort Nurril Hirfana Mohamed Noor.
title "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences.
title_short "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences.
title_full "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences.
title_fullStr "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences.
title_full_unstemmed "Pappu Can't Dance Saala" : dis-locating bodies in Bollywood song and dance sequences.
title_sort "pappu can't dance saala" : dis-locating bodies in bollywood song and dance sequences.
publishDate 2013
url http://hdl.handle.net/10356/52197
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