Sunday Artist: On Art and Professionalism
The idea for this final project started from the author’s concern for the lack of clear <br /> <br /> <br /> <br /> <br /> definition of professionalism in art. After deskilling, artist no longer expected to <br /> <br /> <br /> <br /...
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Main Author: | |
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Format: | Final Project |
Language: | Indonesia |
Online Access: | https://digilib.itb.ac.id/gdl/view/24055 |
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Institution: | Institut Teknologi Bandung |
Language: | Indonesia |
Summary: | The idea for this final project started from the author’s concern for the lack of clear <br />
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definition of professionalism in art. After deskilling, artist no longer expected to <br />
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master any particular skill or technique. From this condition arise the problem of <br />
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defining professionalism in art. The author sees that in practice professionalism often <br />
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get mixed up with careerism; some artists are more concerned for the advancement <br />
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of their career in the art field by referring to market standard, and by doing so it <br />
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counts as being professional. <br />
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Through this artwork, titled “Sunday Artist: on Art and Professionalism” the author <br />
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aim to deliver a new prespective to the audience that modes of production in art <br />
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could affect our aestethic or artistic standard as art practicians. And perhaps by <br />
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stepping out of those professional standard we could discover the possibilities of a <br />
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more interesting aesthetic.. <br />
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Based on that idea, the author wants to take this issue into a visual artwork in the <br />
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form of sloppy, amateurish ceramic objects. These ceramics are taking the form of <br />
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iconic artworks and pop culture character as representation of how the author try to <br />
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look at art practice from an amateur pint of view. These object then arranged in a <br />
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disarray manner on tables to emphasize the domestic, measly and trivial looks of this <br />
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artwork |
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