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Every human being has feelings that ultimately lead to sympathy and empathy. These <br /> <br /> feelings can be present when hearing news of grief or seeing events that visually make <br /> <br /> us have a sense of sadness, stress, and anger, and other feelings that, althou...
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id-itb.:277462018-10-04T11:53:28Z#TITLE_ALTERNATIVE# ATMAMI (NIM: 27015005), HARRY Indonesia Theses INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/27746 Every human being has feelings that ultimately lead to sympathy and empathy. These <br /> <br /> feelings can be present when hearing news of grief or seeing events that visually make <br /> <br /> us have a sense of sadness, stress, and anger, and other feelings that, although not <br /> <br /> concrete, but are owned and can be felt by every other human being. Even for the <br /> <br /> writer, the feeling that plays a role in the formation of the writer is not only in the <br /> <br /> form of real and concrete spaces. The presence of feelings also has an important role <br /> <br /> for the writer in understanding the essence of humanity. <br /> <br /> In this work idea, the author wants to encourage appreciators to have more empathy <br /> <br /> for animals, because animals have the same pain as humans when killed / tortured. <br /> <br /> This does not mean that the author forbids slaughtering / consuming animals, but <br /> <br /> rather how humans are analogous to animals, then how humans see animals <br /> <br /> watching their fate slaughtered, and then how humans look at such events. The work <br /> <br /> is made with video medium and performance, with the visuals presented are animals <br /> <br /> watching videos, the animals chosen are cows, because cows have a large size. The <br /> <br /> slaughter video that was presented was also to give a scary and sick impression. <br /> <br /> In the performance of the cow performance is tied using a rope and the neck is given <br /> <br /> a buffer to position the cow's head still facing the slaughter video displayed. With <br /> <br /> such visuals as if forcing the cow to see its fate slaughtered, then how do we as <br /> <br /> humans see that. text |
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Every human being has feelings that ultimately lead to sympathy and empathy. These <br />
<br />
feelings can be present when hearing news of grief or seeing events that visually make <br />
<br />
us have a sense of sadness, stress, and anger, and other feelings that, although not <br />
<br />
concrete, but are owned and can be felt by every other human being. Even for the <br />
<br />
writer, the feeling that plays a role in the formation of the writer is not only in the <br />
<br />
form of real and concrete spaces. The presence of feelings also has an important role <br />
<br />
for the writer in understanding the essence of humanity. <br />
<br />
In this work idea, the author wants to encourage appreciators to have more empathy <br />
<br />
for animals, because animals have the same pain as humans when killed / tortured. <br />
<br />
This does not mean that the author forbids slaughtering / consuming animals, but <br />
<br />
rather how humans are analogous to animals, then how humans see animals <br />
<br />
watching their fate slaughtered, and then how humans look at such events. The work <br />
<br />
is made with video medium and performance, with the visuals presented are animals <br />
<br />
watching videos, the animals chosen are cows, because cows have a large size. The <br />
<br />
slaughter video that was presented was also to give a scary and sick impression. <br />
<br />
In the performance of the cow performance is tied using a rope and the neck is given <br />
<br />
a buffer to position the cow's head still facing the slaughter video displayed. With <br />
<br />
such visuals as if forcing the cow to see its fate slaughtered, then how do we as <br />
<br />
humans see that. |
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Theses |
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ATMAMI (NIM: 27015005), HARRY |
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ATMAMI (NIM: 27015005), HARRY #TITLE_ALTERNATIVE# |
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ATMAMI (NIM: 27015005), HARRY |
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ATMAMI (NIM: 27015005), HARRY |
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https://digilib.itb.ac.id/gdl/view/27746 |
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1822021446326550528 |