MOTHER VEINS
Humans are the only living beings who have the ability to be aware of the dynamic representation of objects around them. This ability raises a dichotomy that places the subject as an observer and the object as the object being observed. The dichotomy makes the assessment of objects limited to rep...
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| Format: | Final Project |
| Language: | Indonesia |
| Online Access: | https://digilib.itb.ac.id/gdl/view/37322 |
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id-itb.:373222019-03-20T15:43:25ZMOTHER VEINS Ghinaa Renata Aziiza, Immartyas Indonesia Final Project dichotomy, vitalities, generative process INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/37322 Humans are the only living beings who have the ability to be aware of the dynamic representation of objects around them. This ability raises a dichotomy that places the subject as an observer and the object as the object being observed. The dichotomy makes the assessment of objects limited to representation so as to reduce the vitality aspects of the object itself. Therefore in the Urat Ibu project the author tries to propose the process that departs from generative operations to show the relation between the writer and the object in the process of creation. The author initiated the method of creation in a participatory manner, namely by positioning the writer as the subject, and ballpoint material as the object of mass production, with the elementary aspect proposition of the process noted as the medium of the creation trajectory. text |
| institution |
Institut Teknologi Bandung |
| building |
Institut Teknologi Bandung Library |
| continent |
Asia |
| country |
Indonesia Indonesia |
| content_provider |
Institut Teknologi Bandung |
| collection |
Digital ITB |
| language |
Indonesia |
| description |
Humans are the only living beings who have the ability to be aware of the dynamic
representation of objects around them. This ability raises a dichotomy that places
the subject as an observer and the object as the object being observed. The
dichotomy makes the assessment of objects limited to representation so as to reduce
the vitality aspects of the object itself. Therefore in the Urat Ibu project the author
tries to propose the process that departs from generative operations to show the
relation between the writer and the object in the process of creation. The author
initiated the method of creation in a participatory manner, namely by positioning
the writer as the subject, and ballpoint material as the object of mass production,
with the elementary aspect proposition of the process noted as the medium of the
creation trajectory. |
| format |
Final Project |
| author |
Ghinaa Renata Aziiza, Immartyas |
| spellingShingle |
Ghinaa Renata Aziiza, Immartyas MOTHER VEINS |
| author_facet |
Ghinaa Renata Aziiza, Immartyas |
| author_sort |
Ghinaa Renata Aziiza, Immartyas |
| title |
MOTHER VEINS |
| title_short |
MOTHER VEINS |
| title_full |
MOTHER VEINS |
| title_fullStr |
MOTHER VEINS |
| title_full_unstemmed |
MOTHER VEINS |
| title_sort |
mother veins |
| url |
https://digilib.itb.ac.id/gdl/view/37322 |
| _version_ |
1821997356519784448 |