CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART

We cannot separate contemporary culture in the context of Pop Art in America or England, because the development of discourse continues to be explored by the pioneers of the Pop Art Movement, so they cannot be separated from the aspect of mass media, which is very close to ordinary people, and ma...

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Main Author: Vilhamy, Muhammad
Format: Theses
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/37357
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Institution: Institut Teknologi Bandung
Language: Indonesia
id id-itb.:37357
spelling id-itb.:373572019-03-21T08:05:53ZCHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART Vilhamy, Muhammad Indonesia Theses culture, pop art, streetwear, sneakers, kitsch, painting, fine art, contemporary, appropriation. INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/37357 We cannot separate contemporary culture in the context of Pop Art in America or England, because the development of discourse continues to be explored by the pioneers of the Pop Art Movement, so they cannot be separated from the aspect of mass media, which is very close to ordinary people, and many accepted and increasingly recognized by the community on the capacity of artists to expand their works widely. They use the values of contemporary art as an alternative and permissive way to set their foot on two things, namely exclusive autonomy that is exclusive, high senior, with seniors who can also be provided by the wider community of the lower middle class. As a phenomenon, the discussion is the basis of the work that uses painting media as the core of all works of art, because it becomes a popular media representation. This subculture developed widely and became a global social phenomenon that might continue to evolve and would always be debated from the early 1990s to the future to come and would still be relevant because this social phenomenon was developed naturally and as a form of social research developed in the diaspora , this will be a topic that can't be directly. Pop, Kitsch, and the phenomenon of streetwear subculture and sneakers are taken according to topics related to their subversive nature, reconstructing what has been authorized by authoritarianism, but not out of technical conventions, and work participation related to tactical, radical, free work methods. innovative, as well as complex complexes of all values in terms of art and business, health in competency is demonstrated in an elegant and academic manner. The paradigm of contemporary art and discourse in it still makes this subculture phenomenon enter into and continue to be explored and initiated by contemporary artists throughout the world to this day. This reinforces the topic that will be made as a basic foundation that is still relevant and has the capacity and space specifically designed for contemporary art today. text
institution Institut Teknologi Bandung
building Institut Teknologi Bandung Library
continent Asia
country Indonesia
Indonesia
content_provider Institut Teknologi Bandung
collection Digital ITB
language Indonesia
description We cannot separate contemporary culture in the context of Pop Art in America or England, because the development of discourse continues to be explored by the pioneers of the Pop Art Movement, so they cannot be separated from the aspect of mass media, which is very close to ordinary people, and many accepted and increasingly recognized by the community on the capacity of artists to expand their works widely. They use the values of contemporary art as an alternative and permissive way to set their foot on two things, namely exclusive autonomy that is exclusive, high senior, with seniors who can also be provided by the wider community of the lower middle class. As a phenomenon, the discussion is the basis of the work that uses painting media as the core of all works of art, because it becomes a popular media representation. This subculture developed widely and became a global social phenomenon that might continue to evolve and would always be debated from the early 1990s to the future to come and would still be relevant because this social phenomenon was developed naturally and as a form of social research developed in the diaspora , this will be a topic that can't be directly. Pop, Kitsch, and the phenomenon of streetwear subculture and sneakers are taken according to topics related to their subversive nature, reconstructing what has been authorized by authoritarianism, but not out of technical conventions, and work participation related to tactical, radical, free work methods. innovative, as well as complex complexes of all values in terms of art and business, health in competency is demonstrated in an elegant and academic manner. The paradigm of contemporary art and discourse in it still makes this subculture phenomenon enter into and continue to be explored and initiated by contemporary artists throughout the world to this day. This reinforces the topic that will be made as a basic foundation that is still relevant and has the capacity and space specifically designed for contemporary art today.
format Theses
author Vilhamy, Muhammad
spellingShingle Vilhamy, Muhammad
CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART
author_facet Vilhamy, Muhammad
author_sort Vilhamy, Muhammad
title CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART
title_short CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART
title_full CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART
title_fullStr CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART
title_full_unstemmed CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART
title_sort challenging artist use painting as framework in contemporary art
url https://digilib.itb.ac.id/gdl/view/37357
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