CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART
We cannot separate contemporary culture in the context of Pop Art in America or England, because the development of discourse continues to be explored by the pioneers of the Pop Art Movement, so they cannot be separated from the aspect of mass media, which is very close to ordinary people, and ma...
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id-itb.:373572019-03-21T08:05:53ZCHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART Vilhamy, Muhammad Indonesia Theses culture, pop art, streetwear, sneakers, kitsch, painting, fine art, contemporary, appropriation. INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/37357 We cannot separate contemporary culture in the context of Pop Art in America or England, because the development of discourse continues to be explored by the pioneers of the Pop Art Movement, so they cannot be separated from the aspect of mass media, which is very close to ordinary people, and many accepted and increasingly recognized by the community on the capacity of artists to expand their works widely. They use the values of contemporary art as an alternative and permissive way to set their foot on two things, namely exclusive autonomy that is exclusive, high senior, with seniors who can also be provided by the wider community of the lower middle class. As a phenomenon, the discussion is the basis of the work that uses painting media as the core of all works of art, because it becomes a popular media representation. This subculture developed widely and became a global social phenomenon that might continue to evolve and would always be debated from the early 1990s to the future to come and would still be relevant because this social phenomenon was developed naturally and as a form of social research developed in the diaspora , this will be a topic that can't be directly. Pop, Kitsch, and the phenomenon of streetwear subculture and sneakers are taken according to topics related to their subversive nature, reconstructing what has been authorized by authoritarianism, but not out of technical conventions, and work participation related to tactical, radical, free work methods. innovative, as well as complex complexes of all values in terms of art and business, health in competency is demonstrated in an elegant and academic manner. The paradigm of contemporary art and discourse in it still makes this subculture phenomenon enter into and continue to be explored and initiated by contemporary artists throughout the world to this day. This reinforces the topic that will be made as a basic foundation that is still relevant and has the capacity and space specifically designed for contemporary art today. text |
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We cannot separate contemporary culture in the context of Pop Art in America or
England, because the development of discourse continues to be explored by the pioneers
of the Pop Art Movement, so they cannot be separated from the aspect of mass media,
which is very close to ordinary people, and many accepted and increasingly recognized
by the community on the capacity of artists to expand their works widely. They use the
values of contemporary art as an alternative and permissive way to set their foot on two
things, namely exclusive autonomy that is exclusive, high senior, with seniors who can
also be provided by the wider community of the lower middle class.
As a phenomenon, the discussion is the basis of the work that uses painting media as the
core of all works of art, because it becomes a popular media representation.
This subculture developed widely and became a global social phenomenon that might
continue to evolve and would always be debated from the early 1990s to the future to
come and would still be relevant because this social phenomenon was developed
naturally and as a form of social research developed in the diaspora , this will be a topic
that can't be directly.
Pop, Kitsch, and the phenomenon of streetwear subculture and sneakers are taken
according to topics related to their subversive nature, reconstructing what has been
authorized by authoritarianism, but not out of technical conventions, and work
participation related to tactical, radical, free work methods. innovative, as well as
complex complexes of all values in terms of art and business, health in competency is
demonstrated in an elegant and academic manner. The paradigm of contemporary art
and discourse in it still makes this subculture phenomenon enter into and continue to be
explored and initiated by contemporary artists throughout the world to this day. This
reinforces the topic that will be made as a basic foundation that is still relevant and has
the capacity and space specifically designed for contemporary art today. |
format |
Theses |
author |
Vilhamy, Muhammad |
spellingShingle |
Vilhamy, Muhammad CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART |
author_facet |
Vilhamy, Muhammad |
author_sort |
Vilhamy, Muhammad |
title |
CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART |
title_short |
CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART |
title_full |
CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART |
title_fullStr |
CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART |
title_full_unstemmed |
CHALLENGING ARTIST USE PAINTING AS FRAMEWORK IN CONTEMPORARY ART |
title_sort |
challenging artist use painting as framework in contemporary art |
url |
https://digilib.itb.ac.id/gdl/view/37357 |
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