COLLABORATIVE SPACE FOR TRADITIONAL PERFORMANCE ART

Cultural heritage supports the identity of local and national communities. The challenge faced in the future is how this cultural heritage can survive globalization. What is felt by traditional performing arts actors is how the world of entertainment becomes competitive and they have to find ways...

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Bibliographic Details
Main Author: Millenia Audiastuti, Zhafira
Format: Final Project
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/55762
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Institution: Institut Teknologi Bandung
Language: Indonesia
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Summary:Cultural heritage supports the identity of local and national communities. The challenge faced in the future is how this cultural heritage can survive globalization. What is felt by traditional performing arts actors is how the world of entertainment becomes competitive and they have to find ways to survive and develop strategies to get back to the public's attention. Based on these problems, data collection is carried out to find out what facilities answer the needs of traditional and representative performing arts artists according to them. The research method used in this research is literature review and interviews. From the literature review, it can be seen that the strategy and standard of facilities related to performance art and its relationship with the role of the community. From the interview, data on the current conditions of the facilities that are available and the condition of the artists in performing in the metropolitan city can be obtained. The analysis shows that the artists have not used technology effectively in their performances. In addition, the quality of service to the audience is low because everything is done by the artist. It takes the role of non-artists in providing innovation and helping the welfare of artists. If the roles of artists and non-artists become a community, the artists will not bear their own burden and can focus on the development stage with the help of technology. Therefore, facilities are needed where in addition to artists who can perform routine performances, they can discuss and exchange ideas to discuss ideas and innovations for the development of traditional performing arts