CLOTHES: TERRACOTTA
The sculptural approach for writers is an important process for share ideas along with an understanding of the materials and techniques used. The realistic style is a visual reference raised in the work in this paper. This visual tendency arises by presenting the visualization of clothing into cl...
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| Main Author: | |
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| Format: | Final Project |
| Language: | Indonesia |
| Online Access: | https://digilib.itb.ac.id/gdl/view/55959 |
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| Institution: | Institut Teknologi Bandung |
| Language: | Indonesia |
| Summary: | The sculptural approach for writers is an important process for share ideas along
with an understanding of the materials and techniques used. The realistic style is a
visual reference raised in the work in this paper. This visual tendency arises by
presenting the visualization of clothing into clay material that is then burned and
become terracotta with the aim of presenting three stages, namely, something
irregular (disorder), something order, and a process between the two. This visual
language keyword is symbolized by the messy, hung, and neatly folded form of
clothing.
The approach of art as a symbol in this work is the main poin, this is related to the
visual form of the work that is planned by the author to strengthen the symbolic
aspect, and becomes an important part in presenting the narrative. When viewed
as a whole, three important keywords will be formed, namely: messy, learning
process, and orderly
With this work, the author gains an understanding of the sensitivity of an artist in
observing objects and then displaying them in the medium of clay and terracotta.
The theory used as the basis is the theory of art as a symbol. This writing also
explains the position of the author's work on the historical timeline of the history of
art by considering the artist's reference and the work that is the reference in the
process of creating the artwork by the author.
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