EXPLORATION OF BATIK PARANG AND KAWUNG VISUAL WITH DRAPING TECHNIQUE
Indonesia has a variety of batik motifs, which originally came from the palace including the parang and kawung motifs. Batik parang and kawung visual have geometric, repetitive, and tidy characteristics. The use of batik parang and kawung visual has been widely developed by batik craftsmen and de...
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Format: | Final Project |
Language: | Indonesia |
Online Access: | https://digilib.itb.ac.id/gdl/view/65512 |
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Institution: | Institut Teknologi Bandung |
Language: | Indonesia |
Summary: | Indonesia has a variety of batik motifs, which originally came from the palace
including the parang and kawung motifs. Batik parang and kawung visual have
geometric, repetitive, and tidy characteristics. The use of batik parang and kawung
visual has been widely developed by batik craftsmen and designers, both using the
written and stamped batik method and other methods, such as printing and
weaving. Of the various forms of use of batik parang and kawung visual elements,
the majority of the use is still in the form of two-dimensional presentation. This
opens the potential to develop batik parang and kawung visual in three-dimensional
form, such as using the draping technique. Draping is a technique of producing
three-dimensional shapes on fabrics which are made directly on mannequins. The
results of exploration of batik parang and kawung visual with draping techniques
are then used to manufacture fashion products in the form of womenswear
collections. Exploration is carried out by collecting qualitative data, starting with
a visual review of the batik parang and kawung visual. A visual review was
conducted to find a variety of simplified stylization that can be obtained from batik
motifs. Exploration of draping techniques using six different fabric materials,
consisting of three natural-based fabrics and three synthetic-based fabrics. The
first stage of exploration tested six fabrics on three draping techniques. The second
stage of exploration combines draping techniques to achieve the visual form of
batik parang and kawung. Further exploration is carried out by comparing the
selected fabric materials with the addition of visual color to look for other visual
potentials. The concept of the design consists of two moodboards, each of which
has two looks, the moodboard represents the color of sogan in monochrome
moodboard and isen-isen in colorful moodboard. The results of this study indicate
that visual exploration of batik parang and kawung, which uses synthetic silk
polyester "Armani" and jersey fabric materials, can be carried out through draping
techniques and can be applied to womenswear products. |
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