IMAGINARY CREATURES AS A REFLECTION OF IMAGINATION THROUGH THE MEDIUM OF PAINTING (MANGSA SERIES)

"Being" or better known as "Makhluk" in Indonesian has become a subject in the field of philosophy. The existence of this creature itself can be broadly divided into two rough divisions, namely creatures that have physical and real forms and creatures that are unreal. However,...

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Main Author: Putri Herwita, Aulia
Format: Final Project
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/68268
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Institution: Institut Teknologi Bandung
Language: Indonesia
id id-itb.:68268
spelling id-itb.:682682022-09-12T13:17:33ZIMAGINARY CREATURES AS A REFLECTION OF IMAGINATION THROUGH THE MEDIUM OF PAINTING (MANGSA SERIES) Putri Herwita, Aulia Indonesia Final Project Imagination, Creature, Visualization, Pianting, Distortion INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/68268 "Being" or better known as "Makhluk" in Indonesian has become a subject in the field of philosophy. The existence of this creature itself can be broadly divided into two rough divisions, namely creatures that have physical and real forms and creatures that are unreal. However, this has actually become an interesting debate among philosophers because the definition of the existence of a physical being has reached a stage where the classification of "physical" and "non-physical" levels with the parameters "real" and "unreal" is considered unreasonable. . The work "MANGSA Series" is an attempt by the author to be able to describe the visualization of the existence of this "creature" or "being" form the author’s imagination as a living entity with reflection and basic exploration on the basic elements of art such as line, shape, and color. Painting media was chosen by the author as the right media because of the author's need to explore the existence of pseudo-space and the sense of "life" in a two-dimensional field. The technique of abstraction or simplification of form from lines, shapes, and colors was finally chosen in the contemplation and search of the author to create works that focus on exploring the boundaries of the depiction of living things. The medium used is acrylic on canvas. The author hopes that this work can provide a visualization of the author's contemplation of the essence of "creatures" and can inspire its own views or meanings to the audience. text
institution Institut Teknologi Bandung
building Institut Teknologi Bandung Library
continent Asia
country Indonesia
Indonesia
content_provider Institut Teknologi Bandung
collection Digital ITB
language Indonesia
description "Being" or better known as "Makhluk" in Indonesian has become a subject in the field of philosophy. The existence of this creature itself can be broadly divided into two rough divisions, namely creatures that have physical and real forms and creatures that are unreal. However, this has actually become an interesting debate among philosophers because the definition of the existence of a physical being has reached a stage where the classification of "physical" and "non-physical" levels with the parameters "real" and "unreal" is considered unreasonable. . The work "MANGSA Series" is an attempt by the author to be able to describe the visualization of the existence of this "creature" or "being" form the author’s imagination as a living entity with reflection and basic exploration on the basic elements of art such as line, shape, and color. Painting media was chosen by the author as the right media because of the author's need to explore the existence of pseudo-space and the sense of "life" in a two-dimensional field. The technique of abstraction or simplification of form from lines, shapes, and colors was finally chosen in the contemplation and search of the author to create works that focus on exploring the boundaries of the depiction of living things. The medium used is acrylic on canvas. The author hopes that this work can provide a visualization of the author's contemplation of the essence of "creatures" and can inspire its own views or meanings to the audience.
format Final Project
author Putri Herwita, Aulia
spellingShingle Putri Herwita, Aulia
IMAGINARY CREATURES AS A REFLECTION OF IMAGINATION THROUGH THE MEDIUM OF PAINTING (MANGSA SERIES)
author_facet Putri Herwita, Aulia
author_sort Putri Herwita, Aulia
title IMAGINARY CREATURES AS A REFLECTION OF IMAGINATION THROUGH THE MEDIUM OF PAINTING (MANGSA SERIES)
title_short IMAGINARY CREATURES AS A REFLECTION OF IMAGINATION THROUGH THE MEDIUM OF PAINTING (MANGSA SERIES)
title_full IMAGINARY CREATURES AS A REFLECTION OF IMAGINATION THROUGH THE MEDIUM OF PAINTING (MANGSA SERIES)
title_fullStr IMAGINARY CREATURES AS A REFLECTION OF IMAGINATION THROUGH THE MEDIUM OF PAINTING (MANGSA SERIES)
title_full_unstemmed IMAGINARY CREATURES AS A REFLECTION OF IMAGINATION THROUGH THE MEDIUM OF PAINTING (MANGSA SERIES)
title_sort imaginary creatures as a reflection of imagination through the medium of painting (mangsa series)
url https://digilib.itb.ac.id/gdl/view/68268
_version_ 1822278162833211392