THE BARRIER DOOR VISUALIZATION OF GUILTY BOUNDARIES THROUGH A SYMBOLIC APPROACH
Guilt in certain cases can prevent humans from thinking clearly, one of which is caused by certain tragedies that have befallen individuals. Such as childhood trauma due to strict rules, harsh punishments either from groups or individuals around their environment, or experiencing significant fail...
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Main Author: | |
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Format: | Final Project |
Language: | Indonesia |
Online Access: | https://digilib.itb.ac.id/gdl/view/71451 |
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Institution: | Institut Teknologi Bandung |
Language: | Indonesia |
Summary: | Guilt in certain cases can prevent humans from thinking clearly, one of which is
caused by certain tragedies that have befallen individuals. Such as childhood
trauma due to strict rules, harsh punishments either from groups or individuals
around their environment, or experiencing significant failures in life's journey.
Experience of events like this example gives rise to excessive guilt which can be
self-destructive. This series of works symbolically is able to describe the situation
of the mind that is covered by guilt in aspects of human life. Describing the same
object from work to work that represents certain aspects of life in the mindset of
humans who are disturbed by guilt. It is hoped that this work will be useful for
learning that guilt will continue to haunt individuals if humans do not rise from
these thoughts. To visualize the feeling of guilt, the writer uses a symbolic
approach, namely by using a daily object in the case, a door. This series of works
produces a variety of symbolic forms of door with meanings to limit the author's
sense of guilt. Besides that, the writer also uses soft pastel medium to describe the
writer's guilt. The author uses medium soft pastels because they are able to display
motion blur shapes with dark colors. On the other hand, the writer also has a
tendency to use everyday items as the writer's visual language. The selected objects
will become symbolic visuals that will remain in these works. Motion blur is also
present as a visual language which also continues to be present in the works of this
series. The success of the work can be proven through how rational representations
with objects used as symbols can be thought of. Because the characteristics of the
same object with different shapes will bring out different visual characteristics and
meanings. Through representation, it is expected to be able to connect and visualize
guilt with aspects of human life through a still life object. |
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