EXPLORATION OF CEPOT AS AN ELEMENT OF INTERIOR DECORATION (FIELD REVIEW ON KAMPOENG FARM)
With the decrease in puppetry in recent times, it has caused a decline in puppetry so that the main need or consumption of the art of puppet performance has become less. However, the flow of time that has developed has caused puppet characters, especially Cepot, to be undiscussed or aired in eve...
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| Format: | Final Project |
| Language: | Indonesia |
| Online Access: | https://digilib.itb.ac.id/gdl/view/74690 |
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| Institution: | Institut Teknologi Bandung |
| Language: | Indonesia |
| Summary: | With the decrease in puppetry in recent times, it has caused a decline in
puppetry so that the main need or consumption of the art of puppet
performance has become less. However, the flow of time that has developed
has caused puppet characters, especially Cepot, to be undiscussed or aired in
every event both through theaters, performances, and digital TV channels. The
rarity of puppetry and Cepot which has become iconic for the people of the
Sunda region, especially West Java, is no longer an important heritage but is
not a major need. With the combination of the following ceramic crafts raising
Cepot figures, it is hoped that it can bring up memories in the community of
the importance of one of these traditional cultural heritages and the final craft
work from Cepot will refer to interior products. This study aims to reveal the
exploration of interior decoration in the process of making Cepot figures and
the selection of materials to be applied to Interior Design in Kampoeng Ladang
in Sumedang Regency, West Java. The manufacture of elements on ceramic
products gives aesthetic value to the final product. |
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