EXPLORATION OF THE FORM OF JAYASTAMBA INSCRIPTIONS OF ANJUKLADANG AS DECORATION MOTIVES IN INTERIOR CERAMIC PRODUCTS
Relics from the Medang Kingdom that controlled the Nganjuk Regency area include inscriptions known as Jayastamba, Anjuk Ladang Inscriptions which have various chronogram shapes and some interesting reliefs to explore. In line with these things, it is even more interesting if ceramic products use...
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id-itb.:751952023-07-25T15:57:04ZEXPLORATION OF THE FORM OF JAYASTAMBA INSCRIPTIONS OF ANJUKLADANG AS DECORATION MOTIVES IN INTERIOR CERAMIC PRODUCTS Wahyu Setiyana, Rochmat Indonesia Final Project Jayastamba Anjukladang, Ceramic Interior, Interior Decoration, Relief INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/75195 Relics from the Medang Kingdom that controlled the Nganjuk Regency area include inscriptions known as Jayastamba, Anjuk Ladang Inscriptions which have various chronogram shapes and some interesting reliefs to explore. In line with these things, it is even more interesting if ceramic products use a variety of ornaments derived from the reliefs of historical relics of a kingdom as interior decoration to realize the creation of an atmosphere in interior space. This aspect of ornamental variety will be used as an object of research with an exploratory method of the form of ornamental variety itself based on literature and in-depth observation with the support of primery data derived from interviews. The exploration method in this study begins with an analysis of the forms derived from the reliefs and motifs contained in the Jayastamba Inscription Anjukladang, which will later be realized into ceramic products as interior decoration. text |
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Indonesia |
description |
Relics from the Medang Kingdom that controlled the Nganjuk Regency area include
inscriptions known as Jayastamba, Anjuk Ladang Inscriptions which have various
chronogram shapes and some interesting reliefs to explore. In line with these
things, it is even more interesting if ceramic products use a variety of ornaments
derived from the reliefs of historical relics of a kingdom as interior decoration to
realize the creation of an atmosphere in interior space. This aspect of ornamental
variety will be used as an object of research with an exploratory method of the form
of ornamental variety itself based on literature and in-depth observation with the
support of primery data derived from interviews. The exploration method in this
study begins with an analysis of the forms derived from the reliefs and motifs
contained in the Jayastamba Inscription Anjukladang, which will later be realized
into ceramic products as interior decoration. |
format |
Final Project |
author |
Wahyu Setiyana, Rochmat |
spellingShingle |
Wahyu Setiyana, Rochmat EXPLORATION OF THE FORM OF JAYASTAMBA INSCRIPTIONS OF ANJUKLADANG AS DECORATION MOTIVES IN INTERIOR CERAMIC PRODUCTS |
author_facet |
Wahyu Setiyana, Rochmat |
author_sort |
Wahyu Setiyana, Rochmat |
title |
EXPLORATION OF THE FORM OF JAYASTAMBA INSCRIPTIONS OF ANJUKLADANG AS DECORATION MOTIVES IN INTERIOR CERAMIC PRODUCTS |
title_short |
EXPLORATION OF THE FORM OF JAYASTAMBA INSCRIPTIONS OF ANJUKLADANG AS DECORATION MOTIVES IN INTERIOR CERAMIC PRODUCTS |
title_full |
EXPLORATION OF THE FORM OF JAYASTAMBA INSCRIPTIONS OF ANJUKLADANG AS DECORATION MOTIVES IN INTERIOR CERAMIC PRODUCTS |
title_fullStr |
EXPLORATION OF THE FORM OF JAYASTAMBA INSCRIPTIONS OF ANJUKLADANG AS DECORATION MOTIVES IN INTERIOR CERAMIC PRODUCTS |
title_full_unstemmed |
EXPLORATION OF THE FORM OF JAYASTAMBA INSCRIPTIONS OF ANJUKLADANG AS DECORATION MOTIVES IN INTERIOR CERAMIC PRODUCTS |
title_sort |
exploration of the form of jayastamba inscriptions of anjukladang as decoration motives in interior ceramic products |
url |
https://digilib.itb.ac.id/gdl/view/75195 |
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