INTERPRETATION OF SONG WHAT WAS I MADE FOR BY BILLIE EILISH INTO HAUTE COUTURE USING TAPESTRY AND TAMBOUR BEADING

The human emotions are a very complicated matter, especially for women. Even women who are more sensitive also can feel emptiness. With the multitude of social expectations and demands, as well as the patriarchal views that consider men are superior than women, it limits the space for women. The...

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Main Author: Sekar Linuwih, Rissere
Format: Final Project
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/81841
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Institution: Institut Teknologi Bandung
Language: Indonesia
id id-itb.:81841
spelling id-itb.:818412024-07-04T14:08:31ZINTERPRETATION OF SONG WHAT WAS I MADE FOR BY BILLIE EILISH INTO HAUTE COUTURE USING TAPESTRY AND TAMBOUR BEADING Sekar Linuwih, Rissere Indonesia Final Project What Was I Made For’, emptiness, women, expectation, haute couture, tapestry, tambour beading INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/81841 The human emotions are a very complicated matter, especially for women. Even women who are more sensitive also can feel emptiness. With the multitude of social expectations and demands, as well as the patriarchal views that consider men are superior than women, it limits the space for women. The issue concerning women makes it seem like women are always wrong, and by trying to fit into the standards or expectations present in society, women tend to forget about their happiness and the purpose of their existence. This issue aligns with the song 'What Was I Made For' as a representation of the Barbie film, which can be interpreted as how women are busy trying to be able fitting all the expectations and social demands on them without realizing it makes them empty. The outcome of this research serves as an emotional outlet for women who feel tired of social demands and expectations placed upon them text
institution Institut Teknologi Bandung
building Institut Teknologi Bandung Library
continent Asia
country Indonesia
Indonesia
content_provider Institut Teknologi Bandung
collection Digital ITB
language Indonesia
description The human emotions are a very complicated matter, especially for women. Even women who are more sensitive also can feel emptiness. With the multitude of social expectations and demands, as well as the patriarchal views that consider men are superior than women, it limits the space for women. The issue concerning women makes it seem like women are always wrong, and by trying to fit into the standards or expectations present in society, women tend to forget about their happiness and the purpose of their existence. This issue aligns with the song 'What Was I Made For' as a representation of the Barbie film, which can be interpreted as how women are busy trying to be able fitting all the expectations and social demands on them without realizing it makes them empty. The outcome of this research serves as an emotional outlet for women who feel tired of social demands and expectations placed upon them
format Final Project
author Sekar Linuwih, Rissere
spellingShingle Sekar Linuwih, Rissere
INTERPRETATION OF SONG WHAT WAS I MADE FOR BY BILLIE EILISH INTO HAUTE COUTURE USING TAPESTRY AND TAMBOUR BEADING
author_facet Sekar Linuwih, Rissere
author_sort Sekar Linuwih, Rissere
title INTERPRETATION OF SONG WHAT WAS I MADE FOR BY BILLIE EILISH INTO HAUTE COUTURE USING TAPESTRY AND TAMBOUR BEADING
title_short INTERPRETATION OF SONG WHAT WAS I MADE FOR BY BILLIE EILISH INTO HAUTE COUTURE USING TAPESTRY AND TAMBOUR BEADING
title_full INTERPRETATION OF SONG WHAT WAS I MADE FOR BY BILLIE EILISH INTO HAUTE COUTURE USING TAPESTRY AND TAMBOUR BEADING
title_fullStr INTERPRETATION OF SONG WHAT WAS I MADE FOR BY BILLIE EILISH INTO HAUTE COUTURE USING TAPESTRY AND TAMBOUR BEADING
title_full_unstemmed INTERPRETATION OF SONG WHAT WAS I MADE FOR BY BILLIE EILISH INTO HAUTE COUTURE USING TAPESTRY AND TAMBOUR BEADING
title_sort interpretation of song what was i made for by billie eilish into haute couture using tapestry and tambour beading
url https://digilib.itb.ac.id/gdl/view/81841
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