#TITLE_ALTERNATIVE#

• Main Author: RENGGANIS (NIM 27005008), IRA
• Format: Theses
• Language: Indonesia
• Online Access: https://digilib.itb.ac.id/gdl/view/8256
• Institution: Institut Teknologi Bandung

This thesis processing of written by writer’s interested on ceramic sculpture of F.Widayanto which able to visualizing women elements with many expression. This condition supported of writer for further more research of ceramic sculpture of F.Widayanto which much of visualization women elements into it. Problem of this research, that is why F.Widayanto presents woman figures at ceramics sculpture, how development of visualization women and meaning or values laid open in women figure at its the ceramics sculpture. There are this research object limited on ceramic sculpture by F.Widayanto which figure woman with various expression from which made of year 1995 to 2005 namely : Ukelan (1995), Golekan (1997), Mother and Child (2000), Dewi Sri (2003), and Fan-tastic Lady (2005). In this research, the author uses an art criticism methods. This methods consists of several steps. The first step is the description, formal analysis, interpretation and final step is to pass judgment. Through the analysis process within art criticism method, that visualization women has representation by F.Widayanto in the ceramic sculpture surrounded by interest of visualization at woman figure. In F.Widayanto point of view, woman figure can be exploration in so many style and motion. It all implies assorted of expression, like happy, sorrowful, and sensuous so that can represent expression which wish to be laid open by its. Form of woman at ceramic sculpture F.Widayanto experiences development. The development include; covers element form of woman figure and element of decoration at ceramics is making it. Initially appearance of woman figure only limited to head until neck, then rounds into visualization of woman body in intact, with various cloth wrappings and immeasurable coloration Art work base idea F.Widayanto taken away from tradition of Indonesia especially Java, but in his visualization explain with present day culture especially at element fashion. Visualization woman in the ceramic sculpture by F.Widayanto, wish to lay open social criticism happened in public life, especially falseness criticism of woman figure of cosmopolitan. F.Widayanto visualization woman figure from art work the year 1995-2005 showing tendency increasingly decorates certain parts of it’s the art work, especially at part of clothes and ornament. The development shows consideration of F.Widayanto to economic value from art work is making it. Abundant decoration at its the last masterpieces, gives impression of kitsch in its the masterpiece, although on the other side consideration of F.Widayanto develops pattern decorative because considered by tradition fine arts of Indonesia.