THE VALUE OF RELIGIOSITY IN KUDUS EMBROIDERY AESTHETICS (CASE STUDY: ICIK TYPE KUDUS EMBROIDERY)
Icik embroidery is a traditional handicraft commodity that reflects the social value (cultural, identify) of the Kudus community. The purpose of this study is to find the correlation between the value of ”Gusji” in the aesthetics of Kudus icik embroidery and its relationship with the value of rel...
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Format: | Theses |
Language: | Indonesia |
Online Access: | https://digilib.itb.ac.id/gdl/view/84201 |
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Institution: | Institut Teknologi Bandung |
Language: | Indonesia |
Summary: | Icik embroidery is a traditional handicraft commodity that reflects the social value
(cultural, identify) of the Kudus community. The purpose of this study is to find the correlation
between the value of ”Gusji” in the aesthetics of Kudus icik embroidery and its relationship
with the value of religiosity in the aesthetics of Kudus embroidery which is studied through an
aesthetic perspective so that this research is qualitative reasearch. This study limits the
research object to only Kudus embroidery, the type of icik embroidery applied to kebaya. This
study produced findings, namely, 1) Gusji’s value in the social sytem creates a religious
society that is associated with a santri society, 2) Gusji’s values is the value of the piety of the
holy society which is vertical (habluminallah) and horizontal (hablumminannas), 3) In an
aesthetic perspective, Gus’s value has two definitions, namely ”Gus” which contains the
meaning of beauty and ”Gus” which means goodness. Meanwhile, ”Ji” are values related to
morals and ethics. The value of ”Gusji” creates social ethics, namely tepa selira or tolerant,
4). Islam is brought in peace, then Islam that is present in the Kudus community is Islam
Rahmatan Li’Alamin. The religiosity of the Kudus community is based on humanist
monotheism, so that the variety of embroidery ornaments is more likely to display a variety of
ornamental flora, fauna, and geometry as an attitude of caution in the act of shirk, but this
guideline is not absolute because in the ”Gusji”, the community believes that monotheism is
the belief that the is no God other than Allah (La illaha Illalah), 5). The religious value of the
holy community is realized through a variety of acculturative ornament. Motifs such as
tendrils or tendrils style, lotus flower motifs, waterlily flower motif, hong bird motifs, peacock
motifs and pineapple motif are motifs that symbolize or represent Hindhhu/Buddhist, Chinese,
adan Islamic culture |
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