REPRESENTASI MASKULINITAS BOYBAND K-POP DALAM VIDEOKLIP MIROTIC

The addictive of Korean Pop Music (K-POP) recently being a trend dan new idols for the teenagers and adult. On some idol group there’s a girlband and boyband, but this research will discuss abaout representation of a Korean male singer’s masculinity through music video, and the chosen video is TVXQ’...

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Main Author: REYNATA MUTIARA SUKMA, 090810615 M
Format: Theses and Dissertations NonPeerReviewed
Language:Indonesian
Indonesian
Published: 2011
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Online Access:http://repository.unair.ac.id/37977/1/gdlhub-gdl-s2-2011-sukmareyna-19575-tsk071-k.pdf
http://repository.unair.ac.id/37977/2/gdlhub-gdl-s2-2011-sukmareyna-16342-tsk0711.pdf
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spelling id-langga.379772016-07-11T02:36:42Z http://repository.unair.ac.id/37977/ REPRESENTASI MASKULINITAS BOYBAND K-POP DALAM VIDEOKLIP MIROTIC REYNATA MUTIARA SUKMA, 090810615 M M Music N Visual arts (General) For photography, see TR Q223-227 Communication in Science The addictive of Korean Pop Music (K-POP) recently being a trend dan new idols for the teenagers and adult. On some idol group there’s a girlband and boyband, but this research will discuss abaout representation of a Korean male singer’s masculinity through music video, and the chosen video is TVXQ’s music video called Mirotic. This research using qualitative approach with the help of semiotic analysis from Roland Barthes whose focused on signifier and signified is the sign that we believed in such as written paper or voices in the air we heard (Fiske, 1990:47). Pictures in this clip will be analysed in both denotation and connotation ways as the sign is works on the first order. Denotation is the most stabil and objective sign to its connotation (Thwaites, 2002:62). Connotation from a sign is a thing about something that signed (Thwaites, 2002:60). Myth is the second way from Barthes about how the sign works on the second order. Subject on this research is pictures of costume, haircut, accessories, make up, bodyshape, expression on the videoclip of Mirotic. Result of this research found that characteristics of the meaning from pictures of costume, haircut, accessories, make up, bodyshape, expression on Mirotic music video able to represent masculinity of K-POP’s young boyband, they are a young men with a strong special features and characters that produce masculinity with a composite of boyish softness and assertive masculinity. They are a fashionable men, care about their look, take a good care of their bodies, and a dandy guy. In addition, the type of fashion style they applied became their standard masculine look and being the K-POP boyband’s masculinity which is not just a trend but also as identity and special features of male entertainer in South Korea music industry. 2011 Thesis NonPeerReviewed text id http://repository.unair.ac.id/37977/1/gdlhub-gdl-s2-2011-sukmareyna-19575-tsk071-k.pdf text id http://repository.unair.ac.id/37977/2/gdlhub-gdl-s2-2011-sukmareyna-16342-tsk0711.pdf REYNATA MUTIARA SUKMA, 090810615 M (2011) REPRESENTASI MASKULINITAS BOYBAND K-POP DALAM VIDEOKLIP MIROTIC. Thesis thesis, UNIVERSITAS AIRLANGGA. http://lib.unair.ac.id
institution Universitas Airlangga
building Universitas Airlangga Library
country Indonesia
collection UNAIR Repository
language Indonesian
Indonesian
topic M Music
N Visual arts (General) For photography, see TR
Q223-227 Communication in Science
spellingShingle M Music
N Visual arts (General) For photography, see TR
Q223-227 Communication in Science
REYNATA MUTIARA SUKMA, 090810615 M
REPRESENTASI MASKULINITAS BOYBAND K-POP DALAM VIDEOKLIP MIROTIC
description The addictive of Korean Pop Music (K-POP) recently being a trend dan new idols for the teenagers and adult. On some idol group there’s a girlband and boyband, but this research will discuss abaout representation of a Korean male singer’s masculinity through music video, and the chosen video is TVXQ’s music video called Mirotic. This research using qualitative approach with the help of semiotic analysis from Roland Barthes whose focused on signifier and signified is the sign that we believed in such as written paper or voices in the air we heard (Fiske, 1990:47). Pictures in this clip will be analysed in both denotation and connotation ways as the sign is works on the first order. Denotation is the most stabil and objective sign to its connotation (Thwaites, 2002:62). Connotation from a sign is a thing about something that signed (Thwaites, 2002:60). Myth is the second way from Barthes about how the sign works on the second order. Subject on this research is pictures of costume, haircut, accessories, make up, bodyshape, expression on the videoclip of Mirotic. Result of this research found that characteristics of the meaning from pictures of costume, haircut, accessories, make up, bodyshape, expression on Mirotic music video able to represent masculinity of K-POP’s young boyband, they are a young men with a strong special features and characters that produce masculinity with a composite of boyish softness and assertive masculinity. They are a fashionable men, care about their look, take a good care of their bodies, and a dandy guy. In addition, the type of fashion style they applied became their standard masculine look and being the K-POP boyband’s masculinity which is not just a trend but also as identity and special features of male entertainer in South Korea music industry.
format Theses and Dissertations
NonPeerReviewed
author REYNATA MUTIARA SUKMA, 090810615 M
author_facet REYNATA MUTIARA SUKMA, 090810615 M
author_sort REYNATA MUTIARA SUKMA, 090810615 M
title REPRESENTASI MASKULINITAS BOYBAND K-POP DALAM VIDEOKLIP MIROTIC
title_short REPRESENTASI MASKULINITAS BOYBAND K-POP DALAM VIDEOKLIP MIROTIC
title_full REPRESENTASI MASKULINITAS BOYBAND K-POP DALAM VIDEOKLIP MIROTIC
title_fullStr REPRESENTASI MASKULINITAS BOYBAND K-POP DALAM VIDEOKLIP MIROTIC
title_full_unstemmed REPRESENTASI MASKULINITAS BOYBAND K-POP DALAM VIDEOKLIP MIROTIC
title_sort representasi maskulinitas boyband k-pop dalam videoklip mirotic
publishDate 2011
url http://repository.unair.ac.id/37977/1/gdlhub-gdl-s2-2011-sukmareyna-19575-tsk071-k.pdf
http://repository.unair.ac.id/37977/2/gdlhub-gdl-s2-2011-sukmareyna-16342-tsk0711.pdf
http://repository.unair.ac.id/37977/
http://lib.unair.ac.id
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