REPRESENTASI PERLAWANAN PRIBUMI MASA PERALIHAN ABAD KE-19 SAMPAI KE-20 DI HINDIA BELANDA DALAM NOVEL DE STILLE KRACHT (KARYA LOUIS COUPERUS) DAN BUMI MANUSIA (KARYA PRAMOEDYA ANANTA TOER)
This research is focused to an Indonesian literary work (postcolonial literature) and a Dutch Indies literary work (colonial literature): Bumi Manusia (1980, Pramoedya Ananta Toer) and De Stille Kracht (1900, Louis Couperus). Both are great authors in their countries, The Netherlands and Indonesia....
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Theses and Dissertations NonPeerReviewed |
| Published: |
[Yogyakarta] : Universitas Gadjah Mada
2013
|
| Subjects: | |
| Online Access: | https://repository.ugm.ac.id/120330/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=60352 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Institution: | Universitas Gadjah Mada |
| Summary: | This research is focused to an Indonesian literary work (postcolonial literature)
and a Dutch Indies literary work (colonial literature): Bumi Manusia (1980,
Pramoedya Ananta Toer) and De Stille Kracht (1900, Louis Couperus). Both are
great authors in their countries, The Netherlands and Indonesia. They represented
the native�s resistance in colonial life at the end of the 19
th
century in Java. This
research aims to find the form of the named resistance by using the postcolonial
theory, structural analyse and comparing literature. I found out that the native�s
resistance is showed by the mimic man (noble man and native civil servant), who
entered the liminal space, �in-between� space. They mimic the colonisator to
create their new identity, which is different from their original one, just looks
like the identity they imitate. The mimic people imitate and resist at the same
time (Minke dan Nyai Ontosoroh, BM), they practice camouflage (Soenario
family, DSK). The mimic people are �dangerous� people manusia for the colonial
authorities because of their resemblance and resistance. With the literary style of
memoir, Minke as a character-focalizer resists toward colonial systeem : he
rejects chance to be a regent and unjust law in the White-court. With the
narration by narrator as a Third-person (narrator-focalizer), DSK reveals the
narratee of warnings to the colonial government about threats of Islamic
resistance and the story about native resistance by using mystic/magic. Both of
these novels are using a different style, but they represent how mankind
experiences the truth and facts about the cruelty of the colonial system in Dutch
Indies |
|---|