PUITIKA POSTMODERNISME DALAM NOVEL KITAB OMONGKOSONG KARYA SENO GUMIRA AJIDARMA
Various patterns of repertoire strategies that summon of ontological charactershad found.This ontological plurality has called poetic literary postmodernism. The background of this thesis is concerning the ontological character of the repertoire of summon strategies in poetic postmodernism. The prim...
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Theses and Dissertations NonPeerReviewed |
| Published: |
[Yogyakarta] : Universitas Gadjah Mada
2013
|
| Subjects: | |
| Online Access: | https://repository.ugm.ac.id/125756/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=65932 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Institution: | Universitas Gadjah Mada |
| Summary: | Various patterns of repertoire strategies that summon of ontological
charactershad found.This ontological plurality has called poetic literary
postmodernism. The background of this thesis is concerning the ontological character
of the repertoire of summon strategies in poetic postmodernism. The primary data of
this research is the novel of KitabOmongKosong(KOK) by Seno GumiraAjidarma,
which published by PT BentangPustaka in 2006 in Yogyakarta totaling 524
pages.There is a plurality ontologism are grouped into several categories including:
(1) the worlds, (2) construction, (3) the words, and (4) baseline in the novel of
KitabOmongKosong by Seno GumiraAjidarma.
A plurality of the worlds ontologism category contained the insertion zone
development strategy, intertextuality zone and postmodernism fiction strategy, which
had shown the interface between the worlds objects those are projected in a work of
fiction. Furthermore, the construction category includes the worlds of China
box.Whereas, in the sphere words to describe of the repertoire strategy character
ontologism, with the sphere worlds of stylized. Then, describe the changes to the
original works of fiction that emphasizes the unity of the discourse of fiction with a
plurality of discourse puts forward the carnival.This story contain of Mahakalaand
Sutasoma, story of Lubdhaka, story of sage Gotama and his children and the twin
brother of KeboMilih and KeboNgraweng.
Subsequently, the nature of ontological grounding summon discuss which is
the result of the relationship of text, intertextual relations, between the worlds
fictional. This section discusses the ontological summon character which is a result of
the author's relationship with the text. The story in the novel turns KOK 2006
reception of the Ramayana. Author in the context of the speaker of the figures in the
search for the author is not referring to the author of the novel, the SGA, which ends
the novel identifies himself as Togog.
As a reflection, the process of formation of the repertoire of strategies
summon ontological nature of poetic postmodernism, it can only be through a poetic
renaissance or heterokosmos view, the analogy between the author and God, and the
theory of German romanticism. This is where true operations methodological poetic
postmodernism is not closed and is not limited to space worlds, construction, word,
and grounding. |
|---|