PERUBAHAN PARADIGMA BERKESENIAN DI ERA GLOBALISASI STUDI KASUS: RUMAH SENI CEMETI

• Main Authors: , SITA SARI T., , Drs. Muhadi Sugiono, MA
• Format: Theses and Dissertations NonPeerReviewed
• Published: [Yogyakarta] : Universitas Gadjah Mada 2014
• Subjects: ETD
• Online Access: https://repository.ugm.ac.id/128316/; http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=68656
• Institution: Universitas Gadjah Mada

A variety of art activities have presented globalization in Indonesia, especially in the last two decades (1990-2010). The biggest initiatives in Indonesia's involvement in the global art scene came from foreign governments and artists as part of the civil society. In looking at the absence of The Indonesian Government's role in the globalized arts, many alternative spaces have established themselves since the 1980s, started with the Cemeti Art House. These alternative spaces grow and change dynamically in line with the shifts in the art scene. This paper will describe the globalization phenomenon's influence in paradigm shifts in Indonesian arts, as well as activism strategies of the Cemeti Art House in facing the contemporary era. The paradigm in Indonesian arts has shifted to the alternative movement that broke the market-driven art domination with contextual and experimental arts, which is known as contemporary arts. The Cemeti Art House undertakes three strategies in facing the contemporary arts era