ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI

• Main Authors: , BIMA SAKTI WIRATAMA, , Wulan Tri Astuti, SS., MA.
• Format: Theses and Dissertations NonPeerReviewed
• Published: [Yogyakarta] : Universitas Gadjah Mada 2014
• Subjects: ETD
• Online Access: https://repository.ugm.ac.id/129268/; http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=69658
• Institution: Universitas Gadjah Mada

Film is a new type of media, established in the 18th century which consists of motion images, making them appears like moving. This new industry completing the success from novels that published in the last century. Many directors have tried to adapt the famous story from the mid-century. This transformation process is called �ekranisasi�. Une Partie de Campagne is a short story written by Guy de Maupassant. The story was adapted by French director, Jean Renoir. Additional scene, removal scene and additional variation are the typical of this transformation because the film is limited with the duration and the cinematographic aspect needs to be added. This aspect consists of background aspect, camera-placing, camera effect and the actors. The fundamental difference between the short story and film can be seen by the description of actors, the different background and camera effect to get the best point of view. Therefore, the film will have a better quality. By these differences that appear in the transformation, it is proven that literatures are not rigid and they can be changed along with the new form. Key words: Ecranisation, Film, Short Story, Cinematographic, Une Partie de Campagne