ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI
Film is a new type of media, established in the 18th century which consists of motion images, making them appears like moving. This new industry completing the success from novels that published in the last century. Many directors have tried to adapt the famous story from the mid-century. This trans...
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[Yogyakarta] : Universitas Gadjah Mada
2014
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id-ugm-repo.1292682016-03-04T07:53:20Z https://repository.ugm.ac.id/129268/ ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI , BIMA SAKTI WIRATAMA , Wulan Tri Astuti, SS., MA. ETD Film is a new type of media, established in the 18th century which consists of motion images, making them appears like moving. This new industry completing the success from novels that published in the last century. Many directors have tried to adapt the famous story from the mid-century. This transformation process is called �ekranisasi�. Une Partie de Campagne is a short story written by Guy de Maupassant. The story was adapted by French director, Jean Renoir. Additional scene, removal scene and additional variation are the typical of this transformation because the film is limited with the duration and the cinematographic aspect needs to be added. This aspect consists of background aspect, camera-placing, camera effect and the actors. The fundamental difference between the short story and film can be seen by the description of actors, the different background and camera effect to get the best point of view. Therefore, the film will have a better quality. By these differences that appear in the transformation, it is proven that literatures are not rigid and they can be changed along with the new form. Key words: Ecranisation, Film, Short Story, Cinematographic, Une Partie de Campagne [Yogyakarta] : Universitas Gadjah Mada 2014 Thesis NonPeerReviewed , BIMA SAKTI WIRATAMA and , Wulan Tri Astuti, SS., MA. (2014) ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI. UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=69658 |
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ETD , BIMA SAKTI WIRATAMA , Wulan Tri Astuti, SS., MA. ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI |
description |
Film is a new type of media, established in the 18th century which consists of motion
images, making them appears like moving. This new industry completing the success
from novels that published in the last century. Many directors have tried to adapt the
famous story from the mid-century. This transformation process is called
�ekranisasi�. Une Partie de Campagne is a short story written by Guy de
Maupassant. The story was adapted by French director, Jean Renoir. Additional
scene, removal scene and additional variation are the typical of this transformation
because the film is limited with the duration and the cinematographic aspect needs to
be added. This aspect consists of background aspect, camera-placing, camera effect
and the actors. The fundamental difference between the short story and film can be
seen by the description of actors, the different background and camera effect to get
the best point of view. Therefore, the film will have a better quality. By these
differences that appear in the transformation, it is proven that literatures are not rigid
and they can be changed along with the new form.
Key words: Ecranisation, Film, Short Story, Cinematographic, Une Partie de
Campagne |
format |
Theses and Dissertations NonPeerReviewed |
author |
, BIMA SAKTI WIRATAMA , Wulan Tri Astuti, SS., MA. |
author_facet |
, BIMA SAKTI WIRATAMA , Wulan Tri Astuti, SS., MA. |
author_sort |
, BIMA SAKTI WIRATAMA |
title |
ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI |
title_short |
ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI |
title_full |
ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI |
title_fullStr |
ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI |
title_full_unstemmed |
ASPEK-ASPEK PERUBAHAN ADEGAN DALAM FILM UNE PARTIE DE CAMPAGNE KARYA SUTRADARA JEAN RENOIR DIANGKAT DARI CERPEN KARYA GUY DE MAUPASSANT : ANALISIS EKRANISASI |
title_sort |
aspek-aspek perubahan adegan dalam film une partie de campagne karya sutradara jean renoir diangkat dari cerpen karya guy de maupassant : analisis ekranisasi |
publisher |
[Yogyakarta] : Universitas Gadjah Mada |
publishDate |
2014 |
url |
https://repository.ugm.ac.id/129268/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=69658 |
_version_ |
1681232942551007232 |