PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF

PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF

Disparities of global power relations represented in the graphic fashion works of Tiarma Sirait, Widjana and Nia Subandi are the research problems of this dissertation. Tiarma Sirait through the harajuku fashion work refers and adopts Japanese harajuku fashion. Reference to Japanese and Korean fashi...

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Main Authors: , Wanda Listiani, , Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil
Format: Theses and Dissertations NonPeerReviewed
Published: [Yogyakarta] : Universitas Gadjah Mada 2014
Subjects:
ETD
Online Access:https://repository.ugm.ac.id/131110/
http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=71556
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spelling id-ugm-repo.1311102016-03-04T08:17:44Z https://repository.ugm.ac.id/131110/ PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF , Wanda Listiani , Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil ETD Disparities of global power relations represented in the graphic fashion works of Tiarma Sirait, Widjana and Nia Subandi are the research problems of this dissertation. Tiarma Sirait through the harajuku fashion work refers and adopts Japanese harajuku fashion. Reference to Japanese and Korean fashion mode is also done by Nia Subandi. In contrast to both women fashion designers, Widjana prefers using identities or symbols of the America such as Uncle Sam and Harley Davidson. Similarities of the three designs are repeating combination in their graphic fashion work [Yogyakarta] : Universitas Gadjah Mada 2014 Thesis NonPeerReviewed , Wanda Listiani and , Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil (2014) PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF. UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=71556
institution Universitas Gadjah Mada
building UGM Library
country Indonesia
collection Repository Civitas UGM
topic ETD
spellingShingle ETD
, Wanda Listiani
, Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil
PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF
description Disparities of global power relations represented in the graphic fashion works of Tiarma Sirait, Widjana and Nia Subandi are the research problems of this dissertation. Tiarma Sirait through the harajuku fashion work refers and adopts Japanese harajuku fashion. Reference to Japanese and Korean fashion mode is also done by Nia Subandi. In contrast to both women fashion designers, Widjana prefers using identities or symbols of the America such as Uncle Sam and Harley Davidson. Similarities of the three designs are repeating combination in their graphic fashion work
format Theses and Dissertations
NonPeerReviewed
author , Wanda Listiani
, Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil
author_facet , Wanda Listiani
, Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil
author_sort , Wanda Listiani
title PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF
title_short PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF
title_full PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF
title_fullStr PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF
title_full_unstemmed PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF
title_sort praktik diferensiasi pascakolonial pelaku kreatif grafis fashion bandung di era ekonomi kreatif : brikolase hybrid dan tritangtu regeneratif
publisher [Yogyakarta] : Universitas Gadjah Mada
publishDate 2014
url https://repository.ugm.ac.id/131110/
http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=71556
_version_ 1681233267331694592

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