PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF
Disparities of global power relations represented in the graphic fashion works of Tiarma Sirait, Widjana and Nia Subandi are the research problems of this dissertation. Tiarma Sirait through the harajuku fashion work refers and adopts Japanese harajuku fashion. Reference to Japanese and Korean fashi...
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[Yogyakarta] : Universitas Gadjah Mada
2014
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id-ugm-repo.1311102016-03-04T08:17:44Z https://repository.ugm.ac.id/131110/ PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF , Wanda Listiani , Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil ETD Disparities of global power relations represented in the graphic fashion works of Tiarma Sirait, Widjana and Nia Subandi are the research problems of this dissertation. Tiarma Sirait through the harajuku fashion work refers and adopts Japanese harajuku fashion. Reference to Japanese and Korean fashion mode is also done by Nia Subandi. In contrast to both women fashion designers, Widjana prefers using identities or symbols of the America such as Uncle Sam and Harley Davidson. Similarities of the three designs are repeating combination in their graphic fashion work [Yogyakarta] : Universitas Gadjah Mada 2014 Thesis NonPeerReviewed , Wanda Listiani and , Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil (2014) PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF. UNSPECIFIED thesis, UNSPECIFIED. http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=71556 |
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ETD , Wanda Listiani , Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF |
description |
Disparities of global power relations represented in the graphic fashion works
of Tiarma Sirait, Widjana and Nia Subandi are the research problems of this
dissertation. Tiarma Sirait through the harajuku fashion work refers and adopts
Japanese harajuku fashion. Reference to Japanese and Korean fashion mode is also
done by Nia Subandi. In contrast to both women fashion designers, Widjana prefers
using identities or symbols of the America such as Uncle Sam and Harley Davidson.
Similarities of the three designs are repeating combination in their graphic fashion
work |
format |
Theses and Dissertations NonPeerReviewed |
author |
, Wanda Listiani , Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil |
author_facet |
, Wanda Listiani , Prof. Dr. Heddy Shri Ahimsa Putra, M.A.,M.Phil |
author_sort |
, Wanda Listiani |
title |
PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF |
title_short |
PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF |
title_full |
PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF |
title_fullStr |
PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF |
title_full_unstemmed |
PRAKTIK DIFERENSIASI PASCAKOLONIAL PELAKU KREATIF GRAFIS FASHION BANDUNG DI ERA EKONOMI KREATIF : BRIKOLASE HYBRID DAN TRITANGTU REGENERATIF |
title_sort |
praktik diferensiasi pascakolonial pelaku kreatif grafis fashion bandung di era ekonomi kreatif : brikolase hybrid dan tritangtu regeneratif |
publisher |
[Yogyakarta] : Universitas Gadjah Mada |
publishDate |
2014 |
url |
https://repository.ugm.ac.id/131110/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=71556 |
_version_ |
1681233267331694592 |