PERKEMBANGAN KESENIAN KUDA LUMPING DI DESA WISATA KEJI KABUPATEN SEMARANG

• Main Authors: , Lesa Paranti, , Dr. Rr. Paramitha Dyah Fitriasari, S.Ant., M.Hum.
• Format: Theses and Dissertations NonPeerReviewed
• Published: [Yogyakarta] : Universitas Gadjah Mada 2014
• Subjects: ETD
• Online Access: https://repository.ugm.ac.id/133980/; http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=74914
• Institution: Universitas Gadjah Mada

Kuda Lumping is one of folk art can be said to be truly 'populist', because this art scattered in various places in Indonesia, especially in Java and much enjoyed by all levels of society. One of the groups who still consider Kuda Lumping as one part of the public communal expression is Keji Tourism Village in Semarang regency. Issues raised in this study, among others, why the emerging diversity of Kuda Lumping in Keji Tourism Village, how the development of forms of presentation, and what are the factors that influence the development of the Kuda Lumping in Keji Tourism Village. The method which used in this study is qualitative methods ethnochoreology approach. Ethnochoreology approach allows the use of several disciplines (multidisciplinary) to dissect the research problem. Data collection techniques used was observation, interviews, and documentation. The analysis of this research is done through data reduction, data display and conclusion drawing / verification. The results showed that with a growing era, Kuda Lumping still survive in Keji Village as a flow as the public taste. Kuda Lumping development can be seen in terms of quality and quantity of the presentation. Developments in quality occur in the form of presentation of Kuda Lumping. The process of change in the form of presentation of Kuda Lumping is an indicator of the presence of the adjustment to be able to fulfill the function of Kuda Lumping. The quantity can be seen from the rising form of presentation of Kuda Lumping, rising actor and art connoisseur Kuda Lumping, increasing the frequency of performance, and the area of introduction. Kuda Lumping development in the Keji Village can be occurred due to internal and external factors. Internal factors include offender motivation, community participation of Keji Village, traditional values are still attached, and regeneration. The external factors include social interaction, the tourism industry, and technology flows. The presence of tourism opportunities and constraints allow for the continuation of this art, so Kuda Lumping actor are expected to regulate the management of the arts can continue to live and thrive.