Keris kamardikan Surakarta :: Kajian estetis dan sejarah
The aim of this research is to search about aesthetic and historical background that includes the shape, meaning and function as well as the factors that underlie keris kamardikan in Surakarta. The analysis of the keris kamardikan Surakarta is not a simple matter. The question such as: what is k...
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| Format: | Theses and Dissertations NonPeerReviewed |
| Published: |
[Yogyakarta] : Universitas Gadjah Mada
2010
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| Online Access: | https://repository.ugm.ac.id/86295/ http://etd.ugm.ac.id/index.php?mod=penelitian_detail&sub=PenelitianDetail&act=view&typ=html&buku_id=47159 |
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| Institution: | Universitas Gadjah Mada |
| Summary: | The aim of this research is to search about aesthetic and
historical background that includes the shape, meaning and
function as well as the factors that underlie keris kamardikan in
Surakarta. The analysis of the keris kamardikan Surakarta is not a
simple matter. The question such as: what is keris kamardikan;
why it had been created; when it start created; whose the man
behind of created; where place that keris kamardikan has been
exsist; and how about the histocal about it. Change of palace
culture maybe happen to the progresive culture with any
perception. It can be indicated like social criticism movement in
postmodern age, such as: happening art, environmental art, etc.
While the factors underlie the similarities and differences
are the internal and external factors. The Internal factors are the
rules and policy stated by the actor in this regions. The external
factor is the factor happens because the society social condition
that is more developed as well as the policy of the government of
Republic of Indonesia in the tourism sector.
The method used in the research is qualitative research with
multidicipline approach focusing on the study of art. Aesthetic
approach is used for relating the style of art. This approach is
used with other approaches and use the relevant teories such as:
history, communication, anthropology, archeology, and sociology.
This research has conelude that movemen of keris
kamardikan Surakarta is in the structure or style. Historical
backgrouwn of movemen started on 1970 in case of many keris
artist in Surakarta created it with many purposed, basicly, keris
Kamardikan Surakarta have two poin of movement, there are an
aesthetic and historical. |
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