Identity experiments in two female photographers of Yemeni women

Boushra Al-Mutawakkil and Amira Alsharifare two of the most importantYemeni photographers; they are both pioneers in presenting facets of Yemeni women through photography. Their works are considered controversial because they present bold and challenging opinions concerning social taboos against...

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Main Authors: Bokir, Shada Salem, Ruzy Suliza Hashim, Anita Harris Satkunananthan, Olmedo, Eric
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2020
Online Access:http://journalarticle.ukm.my/17290/1/26440-140813-1-PB.pdf
http://journalarticle.ukm.my/17290/
https://ejournal.ukm.my/akademika/issue/view/1298
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Institution: Universiti Kebangsaan Malaysia
Language: English
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spelling my-ukm.journal.172902021-08-11T03:42:11Z http://journalarticle.ukm.my/17290/ Identity experiments in two female photographers of Yemeni women Bokir, Shada Salem Ruzy Suliza Hashim, Anita Harris Satkunananthan, Olmedo, Eric Boushra Al-Mutawakkil and Amira Alsharifare two of the most importantYemeni photographers; they are both pioneers in presenting facets of Yemeni women through photography. Their works are considered controversial because they present bold and challenging opinions concerning social taboos against women in terms of space of freedom and veiling. Dress codes in Yemen have always been a very sensitive topic for discussion since they are generally linked to religious roots and customary traditions. Through their photographs, Al-Mutawakkil and Alsharif attempt to show the changes in hijab-wearing that range from the elegant traditional Yemeni veil with its diverse designs to the monochromatic abaya, always black and shapeless, a costume imported from the Gulf countries where women’s individual identities slowly disappear. By sharply contrasting the traditional Yemeni costume, the black abaya, and various stages of veiling as women become increasingly invisible as they are shrouded in black, Al-Mutawakkiland Alsharif express the determination, beauty, mystery, significance, danger, and fear as Yemeni women’s identitiesare regulated by politics, religion and culture. This papertherefore highlights Al-Mutawakkil and Al-sharif’s “identity experiments” as they produce scenarios of veiling in deliberately arranged settings as well as in natural public life. The implications of this study towards society are in the dissection of the male gaze in Yemeni society as well as a non-exotic representation of the hijaband how this influences the female identity in conservative Yemeni society. Penerbit Universiti Kebangsaan Malaysia 2020 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/17290/1/26440-140813-1-PB.pdf Bokir, Shada Salem and Ruzy Suliza Hashim, and Anita Harris Satkunananthan, and Olmedo, Eric (2020) Identity experiments in two female photographers of Yemeni women. AKADEMIKA, 90 (3). pp. 3-13. ISSN 0126-5008 https://ejournal.ukm.my/akademika/issue/view/1298
institution Universiti Kebangsaan Malaysia
building Tun Sri Lanang Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Kebangsaan Malaysia
content_source UKM Journal Article Repository
url_provider http://journalarticle.ukm.my/
language English
description Boushra Al-Mutawakkil and Amira Alsharifare two of the most importantYemeni photographers; they are both pioneers in presenting facets of Yemeni women through photography. Their works are considered controversial because they present bold and challenging opinions concerning social taboos against women in terms of space of freedom and veiling. Dress codes in Yemen have always been a very sensitive topic for discussion since they are generally linked to religious roots and customary traditions. Through their photographs, Al-Mutawakkil and Alsharif attempt to show the changes in hijab-wearing that range from the elegant traditional Yemeni veil with its diverse designs to the monochromatic abaya, always black and shapeless, a costume imported from the Gulf countries where women’s individual identities slowly disappear. By sharply contrasting the traditional Yemeni costume, the black abaya, and various stages of veiling as women become increasingly invisible as they are shrouded in black, Al-Mutawakkiland Alsharif express the determination, beauty, mystery, significance, danger, and fear as Yemeni women’s identitiesare regulated by politics, religion and culture. This papertherefore highlights Al-Mutawakkil and Al-sharif’s “identity experiments” as they produce scenarios of veiling in deliberately arranged settings as well as in natural public life. The implications of this study towards society are in the dissection of the male gaze in Yemeni society as well as a non-exotic representation of the hijaband how this influences the female identity in conservative Yemeni society.
format Article
author Bokir, Shada Salem
Ruzy Suliza Hashim,
Anita Harris Satkunananthan,
Olmedo, Eric
spellingShingle Bokir, Shada Salem
Ruzy Suliza Hashim,
Anita Harris Satkunananthan,
Olmedo, Eric
Identity experiments in two female photographers of Yemeni women
author_facet Bokir, Shada Salem
Ruzy Suliza Hashim,
Anita Harris Satkunananthan,
Olmedo, Eric
author_sort Bokir, Shada Salem
title Identity experiments in two female photographers of Yemeni women
title_short Identity experiments in two female photographers of Yemeni women
title_full Identity experiments in two female photographers of Yemeni women
title_fullStr Identity experiments in two female photographers of Yemeni women
title_full_unstemmed Identity experiments in two female photographers of Yemeni women
title_sort identity experiments in two female photographers of yemeni women
publisher Penerbit Universiti Kebangsaan Malaysia
publishDate 2020
url http://journalarticle.ukm.my/17290/1/26440-140813-1-PB.pdf
http://journalarticle.ukm.my/17290/
https://ejournal.ukm.my/akademika/issue/view/1298
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