Abject desires in Lisa See’s Peony in Love

The establishment of the Manchu led-Qing dynasty in 1636 led to the continuation of Confucianism as the dominant belief system in China. Based on these Confucian principles of patrilineality and patrilocality, women were expected to portray exemplary feminine virtues that required them to remain s...

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Main Authors: Poh, Chin Koon, Mohammad Ewan Awang, Arbaayah Ali Termizi, Ching, Florence Toh Haw
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2021
Online Access:http://journalarticle.ukm.my/18038/1/47501-167708-1-PB.pdf
http://journalarticle.ukm.my/18038/
https://ejournal.ukm.my/3l/issue/view/1423
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Institution: Universiti Kebangsaan Malaysia
Language: English
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spelling my-ukm.journal.180382022-02-13T00:27:20Z http://journalarticle.ukm.my/18038/ Abject desires in Lisa See’s Peony in Love Poh, Chin Koon Mohammad Ewan Awang, Arbaayah Ali Termizi, Ching, Florence Toh Haw The establishment of the Manchu led-Qing dynasty in 1636 led to the continuation of Confucianism as the dominant belief system in China. Based on these Confucian principles of patrilineality and patrilocality, women were expected to portray exemplary feminine virtues that required them to remain subservient and obedient to the men in her family. This oppressive practice placed women lower in the hierarchy as, unlike men, they were denied the means and avenue to express their subjectivities and, consequently, had to repress their desires to conform to a collective identity. Female desires are viewed as a form of abject as they do not conform to the female codes of behaviour assigned by the patriarchal system. To follow their desires would mean going against the gender norms of the society. As such, women’s desires are attributed abject qualities due to their ability to disrupt the boundaries of the dominant system and are thus subject to censorship. Lisa See’s Peony in Love (2007) depicts the struggles and predicament of Chinese women who had to repress their desires due to their gender. Using Julie Kristeva’s concept of the abject, this study intends to examine how the female protagonist, Peony negotiates her position within the patriarchal setting to reclaim her sense of identity. According to Kristeva, the abject can distort boundaries due to its transgressive nature. For this reason, the study will set out to identify representations of abject desires and their implications on Peony. This study argues that it is through these representations of abject desires that enable Peony to subvert the patriarchal boundaries and reclaim her sense of identity. Penerbit Universiti Kebangsaan Malaysia 2021-09 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/18038/1/47501-167708-1-PB.pdf Poh, Chin Koon and Mohammad Ewan Awang, and Arbaayah Ali Termizi, and Ching, Florence Toh Haw (2021) Abject desires in Lisa See’s Peony in Love. 3L; Language,Linguistics and Literature,The Southeast Asian Journal of English Language Studies., 27 (3). pp. 98-113. ISSN 0128-5157 https://ejournal.ukm.my/3l/issue/view/1423
institution Universiti Kebangsaan Malaysia
building Tun Sri Lanang Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Kebangsaan Malaysia
content_source UKM Journal Article Repository
url_provider http://journalarticle.ukm.my/
language English
description The establishment of the Manchu led-Qing dynasty in 1636 led to the continuation of Confucianism as the dominant belief system in China. Based on these Confucian principles of patrilineality and patrilocality, women were expected to portray exemplary feminine virtues that required them to remain subservient and obedient to the men in her family. This oppressive practice placed women lower in the hierarchy as, unlike men, they were denied the means and avenue to express their subjectivities and, consequently, had to repress their desires to conform to a collective identity. Female desires are viewed as a form of abject as they do not conform to the female codes of behaviour assigned by the patriarchal system. To follow their desires would mean going against the gender norms of the society. As such, women’s desires are attributed abject qualities due to their ability to disrupt the boundaries of the dominant system and are thus subject to censorship. Lisa See’s Peony in Love (2007) depicts the struggles and predicament of Chinese women who had to repress their desires due to their gender. Using Julie Kristeva’s concept of the abject, this study intends to examine how the female protagonist, Peony negotiates her position within the patriarchal setting to reclaim her sense of identity. According to Kristeva, the abject can distort boundaries due to its transgressive nature. For this reason, the study will set out to identify representations of abject desires and their implications on Peony. This study argues that it is through these representations of abject desires that enable Peony to subvert the patriarchal boundaries and reclaim her sense of identity.
format Article
author Poh, Chin Koon
Mohammad Ewan Awang,
Arbaayah Ali Termizi,
Ching, Florence Toh Haw
spellingShingle Poh, Chin Koon
Mohammad Ewan Awang,
Arbaayah Ali Termizi,
Ching, Florence Toh Haw
Abject desires in Lisa See’s Peony in Love
author_facet Poh, Chin Koon
Mohammad Ewan Awang,
Arbaayah Ali Termizi,
Ching, Florence Toh Haw
author_sort Poh, Chin Koon
title Abject desires in Lisa See’s Peony in Love
title_short Abject desires in Lisa See’s Peony in Love
title_full Abject desires in Lisa See’s Peony in Love
title_fullStr Abject desires in Lisa See’s Peony in Love
title_full_unstemmed Abject desires in Lisa See’s Peony in Love
title_sort abject desires in lisa see’s peony in love
publisher Penerbit Universiti Kebangsaan Malaysia
publishDate 2021
url http://journalarticle.ukm.my/18038/1/47501-167708-1-PB.pdf
http://journalarticle.ukm.my/18038/
https://ejournal.ukm.my/3l/issue/view/1423
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