Sang culture: social comparisons of generation Z Youths in Chinaon Social Media

Sang Culture emerged among Chinese youth, showcasing digital expressions that encompass written words, audio clips, visuals and videos that portray feelings of despair and decadence. This phenomenon offers insight into the lived experiences and attitudes of Chinese Generation Z, commonly known...

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Main Authors: Yang Weiqi, Normaliza Abd Rahim, Loh, Benjamin Yew Hoong
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2024
Online Access:http://journalarticle.ukm.my/23838/1/komunikasi_14.pdf
http://journalarticle.ukm.my/23838/
https://ejournal.ukm.my/mjc/issue/view/1644
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Institution: Universiti Kebangsaan Malaysia
Language: English
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spelling my-ukm.journal.238382024-07-12T02:30:58Z http://journalarticle.ukm.my/23838/ Sang culture: social comparisons of generation Z Youths in Chinaon Social Media Yang Weiqi, Normaliza Abd Rahim, Loh, Benjamin Yew Hoong Sang Culture emerged among Chinese youth, showcasing digital expressions that encompass written words, audio clips, visuals and videos that portray feelings of despair and decadence. This phenomenon offers insight into the lived experiences and attitudes of Chinese Generation Z, commonly known as Gen Z. Rising from the challenges of the 2020 pandemic, the guarded and pessimistic mindset of this generation towards existential fears and uncertainties is distinctive, particularly on social media, where the youth find comfort in a sense of belonging, channelling their expressions through ironic wit and light-hearted jokes, resulting in not only personal healing but also shared amusement. While it is being embraced as a means of self-expression and discourse on societal norms, Sang Culture has faced criticism from conservative Chinese society for its perceived disruptive nature. In stark contrast to traditional beliefs and philosophies, Sang Culture and its cynicism are often considered a societal stain. Nevertheless, as China's youth continue to navigate their place in a rapidly changing society, Sang Culture remains a powerful force, reflecting the aspirations and frustrations of a generation seeking to carve out its own path. This study examined Gen Z through the Sang Culture on social media platforms and analysed social comparisons that emerge from the Sang Culture expressions online. The analysis deployed Festinger’s Social Comparison Theory and findings of this study underline how the creation of user-generated content concerning the Sang Culture compare their perceptions, beliefs, attitudes, and behaviours with those dictated or implied by societal realities. Penerbit Universiti Kebangsaan Malaysia 2024 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/23838/1/komunikasi_14.pdf Yang Weiqi, and Normaliza Abd Rahim, and Loh, Benjamin Yew Hoong (2024) Sang culture: social comparisons of generation Z Youths in Chinaon Social Media. Jurnal Komunikasi ; Malaysian Journal of Communication, 40 (1). pp. 248-266. ISSN 0128-1496 https://ejournal.ukm.my/mjc/issue/view/1644
institution Universiti Kebangsaan Malaysia
building Tun Sri Lanang Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Kebangsaan Malaysia
content_source UKM Journal Article Repository
url_provider http://journalarticle.ukm.my/
language English
description Sang Culture emerged among Chinese youth, showcasing digital expressions that encompass written words, audio clips, visuals and videos that portray feelings of despair and decadence. This phenomenon offers insight into the lived experiences and attitudes of Chinese Generation Z, commonly known as Gen Z. Rising from the challenges of the 2020 pandemic, the guarded and pessimistic mindset of this generation towards existential fears and uncertainties is distinctive, particularly on social media, where the youth find comfort in a sense of belonging, channelling their expressions through ironic wit and light-hearted jokes, resulting in not only personal healing but also shared amusement. While it is being embraced as a means of self-expression and discourse on societal norms, Sang Culture has faced criticism from conservative Chinese society for its perceived disruptive nature. In stark contrast to traditional beliefs and philosophies, Sang Culture and its cynicism are often considered a societal stain. Nevertheless, as China's youth continue to navigate their place in a rapidly changing society, Sang Culture remains a powerful force, reflecting the aspirations and frustrations of a generation seeking to carve out its own path. This study examined Gen Z through the Sang Culture on social media platforms and analysed social comparisons that emerge from the Sang Culture expressions online. The analysis deployed Festinger’s Social Comparison Theory and findings of this study underline how the creation of user-generated content concerning the Sang Culture compare their perceptions, beliefs, attitudes, and behaviours with those dictated or implied by societal realities.
format Article
author Yang Weiqi,
Normaliza Abd Rahim,
Loh, Benjamin Yew Hoong
spellingShingle Yang Weiqi,
Normaliza Abd Rahim,
Loh, Benjamin Yew Hoong
Sang culture: social comparisons of generation Z Youths in Chinaon Social Media
author_facet Yang Weiqi,
Normaliza Abd Rahim,
Loh, Benjamin Yew Hoong
author_sort Yang Weiqi,
title Sang culture: social comparisons of generation Z Youths in Chinaon Social Media
title_short Sang culture: social comparisons of generation Z Youths in Chinaon Social Media
title_full Sang culture: social comparisons of generation Z Youths in Chinaon Social Media
title_fullStr Sang culture: social comparisons of generation Z Youths in Chinaon Social Media
title_full_unstemmed Sang culture: social comparisons of generation Z Youths in Chinaon Social Media
title_sort sang culture: social comparisons of generation z youths in chinaon social media
publisher Penerbit Universiti Kebangsaan Malaysia
publishDate 2024
url http://journalarticle.ukm.my/23838/1/komunikasi_14.pdf
http://journalarticle.ukm.my/23838/
https://ejournal.ukm.my/mjc/issue/view/1644
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