Film in contemporary Southeast Asia : cultural interpretation and social intervention

This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between soc...

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Other Authors: Lim, David C. L.
Format: Book
Published: Routledge 2012
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Online Access:http://iportal.oum.edu.my/cgi-bin/gw_45_0/chameleon?&function=INITREQ&search=KEYWORD&u1=12101&t1=0000238329
http://library.oum.edu.my/repository/694/
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Institution: Open University Malaysia
id my.oum.694
record_format eprints
spelling my.oum.6942012-04-13T02:13:47Z Film in contemporary Southeast Asia : cultural interpretation and social intervention PN1993 Motion Pictures This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital. The wide range of subjects covered include documentaries as political interventions in Singapore; political film-makers’ collectives in the Philippines, and films about prostitution in Cambodia and patriotism in Malaysia, and the Chinese in Indonesia. The book analyses films from Burma, Laos, Cambodia, Vietnam, Thailand, Malaysia, Singapore, Indonesia and the Philippines, across a broad range of productions – such as mainstream and independent features across genres (for example comedy, patriotic, political, historical genres) alongside documentary, classic and diasporic films. (Abstract by publisher) Routledge Lim, David C. L. Yamamoto, Hiroyuki 2012 Book PeerReviewed http://iportal.oum.edu.my/cgi-bin/gw_45_0/chameleon?&function=INITREQ&search=KEYWORD&u1=12101&t1=0000238329 Lim, David C. L. and Yamamoto, Hiroyuki, eds. (2012) Film in contemporary Southeast Asia : cultural interpretation and social intervention. Routledge, London. ISBN 9780415617635 http://library.oum.edu.my/repository/694/
institution Open University Malaysia
building OUM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Open University Malaysia
content_source OUM Knowledge Repository
url_provider http://library.oum.edu.my/repository/
topic PN1993 Motion Pictures
spellingShingle PN1993 Motion Pictures
Film in contemporary Southeast Asia : cultural interpretation and social intervention
description This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital. The wide range of subjects covered include documentaries as political interventions in Singapore; political film-makers’ collectives in the Philippines, and films about prostitution in Cambodia and patriotism in Malaysia, and the Chinese in Indonesia. The book analyses films from Burma, Laos, Cambodia, Vietnam, Thailand, Malaysia, Singapore, Indonesia and the Philippines, across a broad range of productions – such as mainstream and independent features across genres (for example comedy, patriotic, political, historical genres) alongside documentary, classic and diasporic films. (Abstract by publisher)
author2 Lim, David C. L.
author_facet Lim, David C. L.
format Book
title Film in contemporary Southeast Asia : cultural interpretation and social intervention
title_short Film in contemporary Southeast Asia : cultural interpretation and social intervention
title_full Film in contemporary Southeast Asia : cultural interpretation and social intervention
title_fullStr Film in contemporary Southeast Asia : cultural interpretation and social intervention
title_full_unstemmed Film in contemporary Southeast Asia : cultural interpretation and social intervention
title_sort film in contemporary southeast asia : cultural interpretation and social intervention
publisher Routledge
publishDate 2012
url http://iportal.oum.edu.my/cgi-bin/gw_45_0/chameleon?&function=INITREQ&search=KEYWORD&u1=12101&t1=0000238329
http://library.oum.edu.my/repository/694/
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