Conserving and sustaining culture through Sarawak traditional Malay woman headscarves / Awang Rozaimie

The traditionally Sarawak Malay woman headscarf is known as Tudong Selayah Keringkam. It is a hand-made identical embroidery headscarf, produced with articulate skills, creativity, and imagination and worn as a social identity among the Malay women in Sarawak. This paper argues that the Selayah and...

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Main Authors: Rozaimie, Awang, Bolhassan, Rashidah, Abdullah, Regina Garai, Johari, Aiza
Format: Article
Language:English
Published: Universiti Teknologi MARA Cawangan Sarawak 2020
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Online Access:http://ir.uitm.edu.my/id/eprint/32371/1/32371.pdf
http://ir.uitm.edu.my/id/eprint/32371/
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Institution: Universiti Teknologi Mara
Language: English
id my.uitm.ir.32371
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spelling my.uitm.ir.323712020-07-16T08:54:00Z http://ir.uitm.edu.my/id/eprint/32371/ Conserving and sustaining culture through Sarawak traditional Malay woman headscarves / Awang Rozaimie Rozaimie, Awang Bolhassan, Rashidah Abdullah, Regina Garai Johari, Aiza Clothing trade Textile arts and crafts The traditionally Sarawak Malay woman headscarf is known as Tudong Selayah Keringkam. It is a hand-made identical embroidery headscarf, produced with articulate skills, creativity, and imagination and worn as a social identity among the Malay women in Sarawak. This paper argues that the Selayah and the Keringkam are two different pieces of headscarves artwork. This paper also foresees the reasons behind the depletion of interest and skills of producing this artifact among the younger generation, to a large extent, making the cultural sustainability of the traditional headscarves in Sarawak to become less significant. Hence, the objectives of this paper are to explore the distinction between Selayah and Keringkam. In this transcendental phenomenological paper, the ‘framing approach’ is used in the in-depth interviews conducted with Selayah Keringkam weavers and Malay elders. This paper apparently has found the little provision to the distinction between Selayah and Keringkam. However, there are five elements posited which have contributed to the depletion of interest among the young generation in the production of Selayah Keringkam. Those elements are labelled as Price, Realism, Technology, Proficient and Insight. Nonetheless, this paper is significant in highlighting the Selayah Keringkam as one of the key material cultures in sustaining Sarawak Malay heritage. Preserving and sustaining the social identity is crucial which potentially becomes central to the tourism products and commercially plated onto the international arena of fashion, art, and design. Universiti Teknologi MARA Cawangan Sarawak 2020-02-02 Article PeerReviewed text en http://ir.uitm.edu.my/id/eprint/32371/1/32371.pdf Rozaimie, Awang and Bolhassan, Rashidah and Abdullah, Regina Garai and Johari, Aiza (2020) Conserving and sustaining culture through Sarawak traditional Malay woman headscarves / Awang Rozaimie. International Journal of Service Management and Sustainability (IJSMS), 5 (1). pp. 1-20. ISSN 2550-1569
institution Universiti Teknologi Mara
building Tun Abdul Razak Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Teknologi Mara
content_source UiTM Institutional Repository
url_provider http://ir.uitm.edu.my/
language English
topic Clothing trade
Textile arts and crafts
spellingShingle Clothing trade
Textile arts and crafts
Rozaimie, Awang
Bolhassan, Rashidah
Abdullah, Regina Garai
Johari, Aiza
Conserving and sustaining culture through Sarawak traditional Malay woman headscarves / Awang Rozaimie
description The traditionally Sarawak Malay woman headscarf is known as Tudong Selayah Keringkam. It is a hand-made identical embroidery headscarf, produced with articulate skills, creativity, and imagination and worn as a social identity among the Malay women in Sarawak. This paper argues that the Selayah and the Keringkam are two different pieces of headscarves artwork. This paper also foresees the reasons behind the depletion of interest and skills of producing this artifact among the younger generation, to a large extent, making the cultural sustainability of the traditional headscarves in Sarawak to become less significant. Hence, the objectives of this paper are to explore the distinction between Selayah and Keringkam. In this transcendental phenomenological paper, the ‘framing approach’ is used in the in-depth interviews conducted with Selayah Keringkam weavers and Malay elders. This paper apparently has found the little provision to the distinction between Selayah and Keringkam. However, there are five elements posited which have contributed to the depletion of interest among the young generation in the production of Selayah Keringkam. Those elements are labelled as Price, Realism, Technology, Proficient and Insight. Nonetheless, this paper is significant in highlighting the Selayah Keringkam as one of the key material cultures in sustaining Sarawak Malay heritage. Preserving and sustaining the social identity is crucial which potentially becomes central to the tourism products and commercially plated onto the international arena of fashion, art, and design.
format Article
author Rozaimie, Awang
Bolhassan, Rashidah
Abdullah, Regina Garai
Johari, Aiza
author_facet Rozaimie, Awang
Bolhassan, Rashidah
Abdullah, Regina Garai
Johari, Aiza
author_sort Rozaimie, Awang
title Conserving and sustaining culture through Sarawak traditional Malay woman headscarves / Awang Rozaimie
title_short Conserving and sustaining culture through Sarawak traditional Malay woman headscarves / Awang Rozaimie
title_full Conserving and sustaining culture through Sarawak traditional Malay woman headscarves / Awang Rozaimie
title_fullStr Conserving and sustaining culture through Sarawak traditional Malay woman headscarves / Awang Rozaimie
title_full_unstemmed Conserving and sustaining culture through Sarawak traditional Malay woman headscarves / Awang Rozaimie
title_sort conserving and sustaining culture through sarawak traditional malay woman headscarves / awang rozaimie
publisher Universiti Teknologi MARA Cawangan Sarawak
publishDate 2020
url http://ir.uitm.edu.my/id/eprint/32371/1/32371.pdf
http://ir.uitm.edu.my/id/eprint/32371/
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