Rural life of Bangladesh reflected in Hashem Khan’s painting / Mohammad Ferdous Khan Shawon

Hashem Khan is considered as one of the key figures in Bangladesh art scenario. Born in Chandpur, Hashem Khan was graduated from the Faculty of Fine Art, Dhaka University in 1961. He was a Professor at the Faculty of Fine Art, University of Dhaka with 44-year experience and retired in the year 2007....

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Main Author: Shawon, Mohammad Ferdous Khan
Format: Article
Language:English
Published: 2021
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Online Access:https://ir.uitm.edu.my/id/eprint/49591/1/49591.pdf
https://ir.uitm.edu.my/id/eprint/49591/
http://idealogyjournal.com/ojs/index.php/idealogy/
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Institution: Universiti Teknologi Mara
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spelling my.uitm.ir.495912021-10-13T01:21:28Z https://ir.uitm.edu.my/id/eprint/49591/ Rural life of Bangladesh reflected in Hashem Khan’s painting / Mohammad Ferdous Khan Shawon Shawon, Mohammad Ferdous Khan ND Painting Special subjects Hashem Khan is considered as one of the key figures in Bangladesh art scenario. Born in Chandpur, Hashem Khan was graduated from the Faculty of Fine Art, Dhaka University in 1961. He was a Professor at the Faculty of Fine Art, University of Dhaka with 44-year experience and retired in the year 2007. He has achieved Ekushey Padak and Independence Day Award (The highest civilian award in Bangladesh) for his significant contributions in art and culture. Rural lifestyle is very unique in Bangladesh. Many poets, musicians, visual artists have taken inspiration from rural culture and life style of Bangladesh. His works reproduce the natural beauty of the village, rural life, and plenty of other things. He has used traditional folk colours like yellow, orange and green in his paintings and used folk motifs. Hashem Khan has done semi-realistic style of narration to communicate to the common people and also used vibrant colours in his paintings. The researcher here has selected the works of the artist for discussion and analysis from the exhibitions which were held from 1980 to 2018 in different art galleries in Dhaka, the capital of Bangladesh and also from two catalogues, which articulate 143 plates. The researcher has analysed his contents of the paintings. Besides the researcher also closely analysed the colours, composition and forms of the painting. 2021-09 Article PeerReviewed text en https://ir.uitm.edu.my/id/eprint/49591/1/49591.pdf ID49591 Shawon, Mohammad Ferdous Khan (2021) Rural life of Bangladesh reflected in Hashem Khan’s painting / Mohammad Ferdous Khan Shawon. IDEALOGY, 6 (2). pp. 28-34. ISSN 2550-214X http://idealogyjournal.com/ojs/index.php/idealogy/
institution Universiti Teknologi Mara
building Tun Abdul Razak Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Teknologi Mara
content_source UiTM Institutional Repository
url_provider http://ir.uitm.edu.my/
language English
topic ND Painting
Special subjects
spellingShingle ND Painting
Special subjects
Shawon, Mohammad Ferdous Khan
Rural life of Bangladesh reflected in Hashem Khan’s painting / Mohammad Ferdous Khan Shawon
description Hashem Khan is considered as one of the key figures in Bangladesh art scenario. Born in Chandpur, Hashem Khan was graduated from the Faculty of Fine Art, Dhaka University in 1961. He was a Professor at the Faculty of Fine Art, University of Dhaka with 44-year experience and retired in the year 2007. He has achieved Ekushey Padak and Independence Day Award (The highest civilian award in Bangladesh) for his significant contributions in art and culture. Rural lifestyle is very unique in Bangladesh. Many poets, musicians, visual artists have taken inspiration from rural culture and life style of Bangladesh. His works reproduce the natural beauty of the village, rural life, and plenty of other things. He has used traditional folk colours like yellow, orange and green in his paintings and used folk motifs. Hashem Khan has done semi-realistic style of narration to communicate to the common people and also used vibrant colours in his paintings. The researcher here has selected the works of the artist for discussion and analysis from the exhibitions which were held from 1980 to 2018 in different art galleries in Dhaka, the capital of Bangladesh and also from two catalogues, which articulate 143 plates. The researcher has analysed his contents of the paintings. Besides the researcher also closely analysed the colours, composition and forms of the painting.
format Article
author Shawon, Mohammad Ferdous Khan
author_facet Shawon, Mohammad Ferdous Khan
author_sort Shawon, Mohammad Ferdous Khan
title Rural life of Bangladesh reflected in Hashem Khan’s painting / Mohammad Ferdous Khan Shawon
title_short Rural life of Bangladesh reflected in Hashem Khan’s painting / Mohammad Ferdous Khan Shawon
title_full Rural life of Bangladesh reflected in Hashem Khan’s painting / Mohammad Ferdous Khan Shawon
title_fullStr Rural life of Bangladesh reflected in Hashem Khan’s painting / Mohammad Ferdous Khan Shawon
title_full_unstemmed Rural life of Bangladesh reflected in Hashem Khan’s painting / Mohammad Ferdous Khan Shawon
title_sort rural life of bangladesh reflected in hashem khan’s painting / mohammad ferdous khan shawon
publishDate 2021
url https://ir.uitm.edu.my/id/eprint/49591/1/49591.pdf
https://ir.uitm.edu.my/id/eprint/49591/
http://idealogyjournal.com/ojs/index.php/idealogy/
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