Piet Mondrian's Neo-Plastic artworks (1917-1944) through the lens of Zen Buddhism
This paper firstly proposes a paralleled visual analysis of Piet Mondrian’s (1872-1944) selected Neo-Plastic artworks with his essays pertinent to the role of “pure intuition” in Neo-Plasticism doctrine.The result of this chronological visual-textual analysis is further reinterpreted through the met...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
University of Malaya
2017
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| Subjects: | |
| Online Access: | http://eprints.um.edu.my/23437/1/Ali%20Fallahzadeh%20%282017%29.pdf http://eprints.um.edu.my/23437/ |
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| Institution: | Universiti Malaya |
| Language: | English |