Breaking the Code : An Investigation on The Vocal Registers of Malaysia’s National Songstress Puan Sri Saloma

Investigations on vocal registers have been a great subject of debate. Early vocal pedagogues and scholars like Bacilly (1668–1690) and Behnke (1836–1892) paved the way for the modern-day investigation to take place through the categorisation of vocal registers across various music genres such as c...

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Main Authors: Nur Fardilla Nadia, Abu Bakar, Mohd Fairuz, Zamani
Format: Article
Language:English
Published: Penerbit Universiti Sains Malaysia 2023
Subjects:
Online Access:http://ir.unimas.my/id/eprint/47335/1/Breaking%20the%20Code.pdf
http://ir.unimas.my/id/eprint/47335/
https://ejournal.usm.my/wacanaseni/article/view/ws_vol22-2023_4
https://doi.org/10.21315/ws2023.22.4
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Institution: Universiti Malaysia Sarawak
Language: English
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spelling my.unimas.ir-473352025-01-14T02:34:23Z http://ir.unimas.my/id/eprint/47335/ Breaking the Code : An Investigation on The Vocal Registers of Malaysia’s National Songstress Puan Sri Saloma Nur Fardilla Nadia, Abu Bakar Mohd Fairuz, Zamani M Music MT Musical instruction and study Investigations on vocal registers have been a great subject of debate. Early vocal pedagogues and scholars like Bacilly (1668–1690) and Behnke (1836–1892) paved the way for the modern-day investigation to take place through the categorisation of vocal registers across various music genres such as classical, jazz, and popular. However, an investigation on the vocal registers of Puan Sri Saloma (1935–1983) as a popular music icon of Malaysia has yet to be done. This paper intends to examine Saloma’s vocal registers through vocal analysis of five selected songs using case study as its research design. These songs are transcribed using music notation software (Sibelius) and analytical diagrams using similar software are produced to show the use of chest, middle, and head registers in each song. The finding shows the usage of the said registers and a diagram of Saloma’s vocal range is then produced, proving that Saloma was an alto. This study does not intend to limit Saloma’s vocal capability, but rather to celebrate her vocal prowess and encourage other scholars to conduct further investigations concerning Saloma as Malaysia’s national songstress. Penerbit Universiti Sains Malaysia 2023 Article PeerReviewed text en http://ir.unimas.my/id/eprint/47335/1/Breaking%20the%20Code.pdf Nur Fardilla Nadia, Abu Bakar and Mohd Fairuz, Zamani (2023) Breaking the Code : An Investigation on The Vocal Registers of Malaysia’s National Songstress Puan Sri Saloma. Wacana Seni Journal of Arts Discourse, 22 (Sept.). pp. 51-70. ISSN 2180-4311 https://ejournal.usm.my/wacanaseni/article/view/ws_vol22-2023_4 https://doi.org/10.21315/ws2023.22.4
institution Universiti Malaysia Sarawak
building Centre for Academic Information Services (CAIS)
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sarawak
content_source UNIMAS Institutional Repository
url_provider http://ir.unimas.my/
language English
topic M Music
MT Musical instruction and study
spellingShingle M Music
MT Musical instruction and study
Nur Fardilla Nadia, Abu Bakar
Mohd Fairuz, Zamani
Breaking the Code : An Investigation on The Vocal Registers of Malaysia’s National Songstress Puan Sri Saloma
description Investigations on vocal registers have been a great subject of debate. Early vocal pedagogues and scholars like Bacilly (1668–1690) and Behnke (1836–1892) paved the way for the modern-day investigation to take place through the categorisation of vocal registers across various music genres such as classical, jazz, and popular. However, an investigation on the vocal registers of Puan Sri Saloma (1935–1983) as a popular music icon of Malaysia has yet to be done. This paper intends to examine Saloma’s vocal registers through vocal analysis of five selected songs using case study as its research design. These songs are transcribed using music notation software (Sibelius) and analytical diagrams using similar software are produced to show the use of chest, middle, and head registers in each song. The finding shows the usage of the said registers and a diagram of Saloma’s vocal range is then produced, proving that Saloma was an alto. This study does not intend to limit Saloma’s vocal capability, but rather to celebrate her vocal prowess and encourage other scholars to conduct further investigations concerning Saloma as Malaysia’s national songstress.
format Article
author Nur Fardilla Nadia, Abu Bakar
Mohd Fairuz, Zamani
author_facet Nur Fardilla Nadia, Abu Bakar
Mohd Fairuz, Zamani
author_sort Nur Fardilla Nadia, Abu Bakar
title Breaking the Code : An Investigation on The Vocal Registers of Malaysia’s National Songstress Puan Sri Saloma
title_short Breaking the Code : An Investigation on The Vocal Registers of Malaysia’s National Songstress Puan Sri Saloma
title_full Breaking the Code : An Investigation on The Vocal Registers of Malaysia’s National Songstress Puan Sri Saloma
title_fullStr Breaking the Code : An Investigation on The Vocal Registers of Malaysia’s National Songstress Puan Sri Saloma
title_full_unstemmed Breaking the Code : An Investigation on The Vocal Registers of Malaysia’s National Songstress Puan Sri Saloma
title_sort breaking the code : an investigation on the vocal registers of malaysia’s national songstress puan sri saloma
publisher Penerbit Universiti Sains Malaysia
publishDate 2023
url http://ir.unimas.my/id/eprint/47335/1/Breaking%20the%20Code.pdf
http://ir.unimas.my/id/eprint/47335/
https://ejournal.usm.my/wacanaseni/article/view/ws_vol22-2023_4
https://doi.org/10.21315/ws2023.22.4
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