Localizing Mimpi through The Artistry of Orang Ulu Motifs in The Set Design
The definite definition of scenography is debatable up until today. Despite the many interpretation and definitions given by theatre practitioners from all over the world, there are some categories of design under that lie under this term. They ar...
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my.unimas.ir.361302021-09-19T03:29:41Z http://ir.unimas.my/id/eprint/36130/ Localizing Mimpi through The Artistry of Orang Ulu Motifs in The Set Design Nur Syarafina, Binti Suhaimy Nur Qasdina Jeeta, Abdullah N Visual arts (General) For photography, see TR NC Drawing Design Illustration The definite definition of scenography is debatable up until today. Despite the many interpretation and definitions given by theatre practitioners from all over the world, there are some categories of design under that lie under this term. They are scenic design, costume, lighting and sound. This research proposes to look for new ideas in creating the world of a play in scenic design of an intercultural theatre. This thesis aims to explore the adaptation of Sarawakian motifs, specifically Orang Ulu’s into the set design of Mimpi. Through the adaptation of the motifs into the set design of Mimpi, the data acquired are collected and analysed through the qualitative and quantitative approach. 2019-10-30 Article PeerReviewed text en http://ir.unimas.my/id/eprint/36130/1/ulu1.pdf Nur Syarafina, Binti Suhaimy and Nur Qasdina Jeeta, Abdullah (2019) Localizing Mimpi through The Artistry of Orang Ulu Motifs in The Set Design. JURNAL WACANA SARJANA, 3 (3). pp. 1-16. ISSN 2600-9501 http://spaj.ukm.my/jws/index.php/jws/article/view/242 |
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N Visual arts (General) For photography, see TR NC Drawing Design Illustration Nur Syarafina, Binti Suhaimy Nur Qasdina Jeeta, Abdullah Localizing Mimpi through The Artistry of Orang Ulu Motifs in The Set Design |
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The definite definition of scenography is debatable up until today. Despite the many interpretation and definitions given by theatre practitioners from all over the world, there are some categories of design under that lie under this term. They are scenic design, costume, lighting and sound. This research proposes to look for new ideas in creating the world of a play in scenic design of an intercultural theatre. This thesis aims to explore the adaptation of Sarawakian motifs, specifically Orang Ulu’s into the set design of Mimpi. Through the adaptation of the motifs into the set design of Mimpi, the data acquired are collected and analysed through the qualitative and quantitative approach. |
format |
Article |
author |
Nur Syarafina, Binti Suhaimy Nur Qasdina Jeeta, Abdullah |
author_facet |
Nur Syarafina, Binti Suhaimy Nur Qasdina Jeeta, Abdullah |
author_sort |
Nur Syarafina, Binti Suhaimy |
title |
Localizing Mimpi through The Artistry of Orang Ulu Motifs in The Set Design |
title_short |
Localizing Mimpi through The Artistry of Orang Ulu Motifs in The Set Design |
title_full |
Localizing Mimpi through The Artistry of Orang Ulu Motifs in The Set Design |
title_fullStr |
Localizing Mimpi through The Artistry of Orang Ulu Motifs in The Set Design |
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Localizing Mimpi through The Artistry of Orang Ulu Motifs in The Set Design |
title_sort |
localizing mimpi through the artistry of orang ulu motifs in the set design |
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2019 |
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http://ir.unimas.my/id/eprint/36130/1/ulu1.pdf http://ir.unimas.my/id/eprint/36130/ http://spaj.ukm.my/jws/index.php/jws/article/view/242 |
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