I can see myself in them, but they are not me”: Asian Boys’ Love (BL) drama and gay male viewers

Recent years have witnessed significant growth in research on the phenomenon of Asian Boys’ Love (BL) dramas, a new entertainment genre that features male characters who engage in same-sex love relations. However, much of this research has focused on, among others, heterosexual female viewers in ter...

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Main Authors: Collin, Jerome, Ahmad Junaidy, Ahmad Hadzmy, Ting, Su Hie
Format: Article
Language:English
Published: MDPI 2022
Subjects:
Online Access:http://ir.unimas.my/id/eprint/40642/3/%E2%80%9CI%20Can%20See%20-%20Copy.pdf
http://ir.unimas.my/id/eprint/40642/
https://ideas.repec.org/a/gam/jscscx/v11y2022i4p163-d787752.html
https://doi.org/10.3390/socsci11040163
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Institution: Universiti Malaysia Sarawak
Language: English
id my.unimas.ir.40642
record_format eprints
spelling my.unimas.ir.406422023-10-10T07:16:11Z http://ir.unimas.my/id/eprint/40642/ I can see myself in them, but they are not me”: Asian Boys’ Love (BL) drama and gay male viewers Collin, Jerome Ahmad Junaidy, Ahmad Hadzmy Ting, Su Hie P Philology. Linguistics Recent years have witnessed significant growth in research on the phenomenon of Asian Boys’ Love (BL) dramas, a new entertainment genre that features male characters who engage in same-sex love relations. However, much of this research has focused on, among others, heterosexual female viewers in terms of their knowledge of BL and their consumption patterns and motives. The present study aims at addressing this knowledge gap by gathering the views of gay male viewers regarding the BL that holds a place in their lives. In-depth interviews were conducted with six gay-identified participants living in Malaysia, with the study informed and guided by the framework of audience uses and appropriations of BL, and with the data collected and analyzed following the interpretative phenomenological approach (IPA) procedures. The findings revealed, on the one hand, polarized consumption patterns and, on the other hand, homogeneous motives, and reasons for consuming BL, including pure escapism, self-identification, and pure entertainment. The findings also revealed the participants’ views on whether the BL drama represented their identity and the real-life struggles of being a gay man in a country where homosexuality is still condemned and made illegal. These findings have implications that are relevant to the discussion of the role of the homoerotic media as a source of identity and livelihood among gay men. MDPI 2022 Article PeerReviewed text en http://ir.unimas.my/id/eprint/40642/3/%E2%80%9CI%20Can%20See%20-%20Copy.pdf Collin, Jerome and Ahmad Junaidy, Ahmad Hadzmy and Ting, Su Hie (2022) I can see myself in them, but they are not me”: Asian Boys’ Love (BL) drama and gay male viewers. Social Sciences, 1 (4). pp. 1-14. ISSN 2076-0760 https://ideas.repec.org/a/gam/jscscx/v11y2022i4p163-d787752.html https://doi.org/10.3390/socsci11040163
institution Universiti Malaysia Sarawak
building Centre for Academic Information Services (CAIS)
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sarawak
content_source UNIMAS Institutional Repository
url_provider http://ir.unimas.my/
language English
topic P Philology. Linguistics
spellingShingle P Philology. Linguistics
Collin, Jerome
Ahmad Junaidy, Ahmad Hadzmy
Ting, Su Hie
I can see myself in them, but they are not me”: Asian Boys’ Love (BL) drama and gay male viewers
description Recent years have witnessed significant growth in research on the phenomenon of Asian Boys’ Love (BL) dramas, a new entertainment genre that features male characters who engage in same-sex love relations. However, much of this research has focused on, among others, heterosexual female viewers in terms of their knowledge of BL and their consumption patterns and motives. The present study aims at addressing this knowledge gap by gathering the views of gay male viewers regarding the BL that holds a place in their lives. In-depth interviews were conducted with six gay-identified participants living in Malaysia, with the study informed and guided by the framework of audience uses and appropriations of BL, and with the data collected and analyzed following the interpretative phenomenological approach (IPA) procedures. The findings revealed, on the one hand, polarized consumption patterns and, on the other hand, homogeneous motives, and reasons for consuming BL, including pure escapism, self-identification, and pure entertainment. The findings also revealed the participants’ views on whether the BL drama represented their identity and the real-life struggles of being a gay man in a country where homosexuality is still condemned and made illegal. These findings have implications that are relevant to the discussion of the role of the homoerotic media as a source of identity and livelihood among gay men.
format Article
author Collin, Jerome
Ahmad Junaidy, Ahmad Hadzmy
Ting, Su Hie
author_facet Collin, Jerome
Ahmad Junaidy, Ahmad Hadzmy
Ting, Su Hie
author_sort Collin, Jerome
title I can see myself in them, but they are not me”: Asian Boys’ Love (BL) drama and gay male viewers
title_short I can see myself in them, but they are not me”: Asian Boys’ Love (BL) drama and gay male viewers
title_full I can see myself in them, but they are not me”: Asian Boys’ Love (BL) drama and gay male viewers
title_fullStr I can see myself in them, but they are not me”: Asian Boys’ Love (BL) drama and gay male viewers
title_full_unstemmed I can see myself in them, but they are not me”: Asian Boys’ Love (BL) drama and gay male viewers
title_sort i can see myself in them, but they are not me”: asian boys’ love (bl) drama and gay male viewers
publisher MDPI
publishDate 2022
url http://ir.unimas.my/id/eprint/40642/3/%E2%80%9CI%20Can%20See%20-%20Copy.pdf
http://ir.unimas.my/id/eprint/40642/
https://ideas.repec.org/a/gam/jscscx/v11y2022i4p163-d787752.html
https://doi.org/10.3390/socsci11040163
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