How relevant are chess composition conventions?

Composition conventions are guidelines used by human composers in composing chess problems. They are particularly significant in composition tournaments. Examples include, not having any 'check' in the first move of the solution and not 'dressing up' the board with unnecessary pi...

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Main Author: Iqbal A.
Other Authors: 14012935800
Format: Conference Paper
Published: Springer Verlag 2023
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Institution: Universiti Tenaga Nasional
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spelling my.uniten.dspace-219762023-05-16T10:46:24Z How relevant are chess composition conventions? Iqbal A. 14012935800 Composition conventions are guidelines used by human composers in composing chess problems. They are particularly significant in composition tournaments. Examples include, not having any 'check' in the first move of the solution and not 'dressing up' the board with unnecessary pieces. Conventions are often associated or even directly conflated with the overall aesthetics or beauty of a composition. Using an existing experimentally-validated computational aesthetics model for three-move mate problems, we analyzed sets of computer-generated compositions adhering to at least 2, 3 and 4 comparable conventions to test if simply conforming to more conventions had a positive effect on their aesthetics, as is generally believed by human composers. We found slight but statistically significant evidence that it does, but only to a point. We also analyzed human judge scores of 145 three-move mate problems composed by humans to see if they had any positive correlation with the computational aesthetic scores of those problems. We found that they did not. These seemingly conflicting findings suggest two main things. First, the right amount of adherence to composition conventions in a composition has a positive effect on its perceived aesthetics. Second, human judges either do not look at the same conventions related to aesthetics in the model used or emphasize others that have less to do with beauty as perceived by the majority of players, even though they may mistakenly consider their judgements 'beautiful' in the traditional, non-esoteric sense. Human judges may also be relying significantly on personal tastes as we found no correlation between their individual scores either. © Springer International Publishing Switzerland 2014. Final 2023-05-16T02:46:24Z 2023-05-16T02:46:24Z 2014 Conference Paper 10.1007/978-3-319-05428-5_9 2-s2.0-84940246211 https://www.scopus.com/inward/record.uri?eid=2-s2.0-84940246211&doi=10.1007%2f978-3-319-05428-5_9&partnerID=40&md5=1b25c6a453c1c078be91446152e43e39 https://irepository.uniten.edu.my/handle/123456789/21976 408 122 131 All Open Access, Green Springer Verlag Scopus
institution Universiti Tenaga Nasional
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continent Asia
country Malaysia
content_provider Universiti Tenaga Nasional
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description Composition conventions are guidelines used by human composers in composing chess problems. They are particularly significant in composition tournaments. Examples include, not having any 'check' in the first move of the solution and not 'dressing up' the board with unnecessary pieces. Conventions are often associated or even directly conflated with the overall aesthetics or beauty of a composition. Using an existing experimentally-validated computational aesthetics model for three-move mate problems, we analyzed sets of computer-generated compositions adhering to at least 2, 3 and 4 comparable conventions to test if simply conforming to more conventions had a positive effect on their aesthetics, as is generally believed by human composers. We found slight but statistically significant evidence that it does, but only to a point. We also analyzed human judge scores of 145 three-move mate problems composed by humans to see if they had any positive correlation with the computational aesthetic scores of those problems. We found that they did not. These seemingly conflicting findings suggest two main things. First, the right amount of adherence to composition conventions in a composition has a positive effect on its perceived aesthetics. Second, human judges either do not look at the same conventions related to aesthetics in the model used or emphasize others that have less to do with beauty as perceived by the majority of players, even though they may mistakenly consider their judgements 'beautiful' in the traditional, non-esoteric sense. Human judges may also be relying significantly on personal tastes as we found no correlation between their individual scores either. © Springer International Publishing Switzerland 2014.
author2 14012935800
author_facet 14012935800
Iqbal A.
format Conference Paper
author Iqbal A.
spellingShingle Iqbal A.
How relevant are chess composition conventions?
author_sort Iqbal A.
title How relevant are chess composition conventions?
title_short How relevant are chess composition conventions?
title_full How relevant are chess composition conventions?
title_fullStr How relevant are chess composition conventions?
title_full_unstemmed How relevant are chess composition conventions?
title_sort how relevant are chess composition conventions?
publisher Springer Verlag
publishDate 2023
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