Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo
The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades fo...
Saved in:
| Main Authors: | , , , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of Ljubljana
2021
|
| Online Access: | http://psasir.upm.edu.my/id/eprint/96575/1/ABSTRACT.pdf http://psasir.upm.edu.my/id/eprint/96575/ https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9488 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Institution: | Universiti Putra Malaysia |
| Language: | English |
| id |
my.upm.eprints.96575 |
|---|---|
| record_format |
eprints |
| spelling |
my.upm.eprints.965752023-01-11T07:11:15Z http://psasir.upm.edu.my/id/eprint/96575/ Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo Ke, Xue Loo, Fung Ying Loo, Fung Chiat Xiaohang, Wang The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death. University of Ljubljana 2021 Article PeerReviewed text en http://psasir.upm.edu.my/id/eprint/96575/1/ABSTRACT.pdf Ke, Xue and Loo, Fung Ying and Loo, Fung Chiat and Xiaohang, Wang (2021) Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo. Muzikoloski Zbornik, 57 (1). 149 - 175. ISSN 0580-373X; ESSN: 2350-4242 https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9488 10.4312/mz.57.1.149-175 |
| institution |
Universiti Putra Malaysia |
| building |
UPM Library |
| collection |
Institutional Repository |
| continent |
Asia |
| country |
Malaysia |
| content_provider |
Universiti Putra Malaysia |
| content_source |
UPM Institutional Repository |
| url_provider |
http://psasir.upm.edu.my/ |
| language |
English |
| description |
The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death. |
| format |
Article |
| author |
Ke, Xue Loo, Fung Ying Loo, Fung Chiat Xiaohang, Wang |
| spellingShingle |
Ke, Xue Loo, Fung Ying Loo, Fung Chiat Xiaohang, Wang Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo |
| author_facet |
Ke, Xue Loo, Fung Ying Loo, Fung Chiat Xiaohang, Wang |
| author_sort |
Ke, Xue |
| title |
Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo |
| title_short |
Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo |
| title_full |
Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo |
| title_fullStr |
Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo |
| title_full_unstemmed |
Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo |
| title_sort |
cultural revolution and political ambivalence in zhao xiaosheng’s two ballades for piano solo |
| publisher |
University of Ljubljana |
| publishDate |
2021 |
| url |
http://psasir.upm.edu.my/id/eprint/96575/1/ABSTRACT.pdf http://psasir.upm.edu.my/id/eprint/96575/ https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9488 |
| _version_ |
1755873915142406144 |