Revisionist rape-revenge : redefining a film genre
Contents: Machine generated contents note: -- Introduction: Reapproaching Rape-Revenge 1. Remaking Rape-Revenge: The Last House on the Left (1972/2009) and I Spit on Your Grave (1978/2010) 2. The Postfeminist Trap of Vagina Dentata for the American Teen Castratrice 3. Rape, Racism, and Descent into...
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Main Author: | |
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Format: | Book |
Language: | English |
Published: |
Palgrave Macmillan
2020
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Subjects: | |
Online Access: | http://repository.vnu.edu.vn/handle/VNU_123/75415 |
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Institution: | Vietnam National University, Hanoi |
Language: | English |
Summary: | Contents: Machine generated contents note: -- Introduction: Reapproaching Rape-Revenge 1. Remaking Rape-Revenge: The Last House on the Left (1972/2009) and I Spit on Your Grave (1978/2010) 2. The Postfeminist Trap of Vagina Dentata for the American Teen Castratrice 3. Rape, Racism, and Descent into the Ethical Quagmire of Revenge 4. The Shame of Male Acolytes: Negotiating Gender and Sexuality Through Rape-Revenge 5. Collective Revenge: Challenging the Individualist Victim-Avenger in Death Proof, Sleepers, and Mystic River Conclusion: Challenging the Boundaries of Cinema's Rape-Revenge Genre in Katalin Varga and Twilight Portrait |
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