Deep drama : exploring life as theatre
Preface; Acknowledgments; Contents; List of Figures; 1: Profound Drama; Drama, Appearance, Reality, and Depth1; The Importance of Profound Drama; The Provision of Depth Through Narrative; Breakdowns; Damage to Life's Dramatic Temple, the Body; The Return to Spirit; A Study in Shallowness: Donal...
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Psychoanalysis and the arts; Drama -- Psychological aspects; Psychology; ART -- Performance; ART -- Reference; Drama -- Psychological aspects; Psychoanalysis and the arts; Psychology; Electronic books; Electronic books 700.19 SCH 2017 |
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Psychoanalysis and the arts; Drama -- Psychological aspects; Psychology; ART -- Performance; ART -- Reference; Drama -- Psychological aspects; Psychoanalysis and the arts; Psychology; Electronic books; Electronic books 700.19 SCH 2017 Scheibe, Karl E. Deep drama : exploring life as theatre |
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Preface; Acknowledgments; Contents; List of Figures; 1: Profound Drama; Drama, Appearance, Reality, and Depth1; The Importance of Profound Drama; The Provision of Depth Through Narrative; Breakdowns; Damage to Life's Dramatic Temple, the Body; The Return to Spirit; A Study in Shallowness: Donald Trump; Character as Depth; References; 2: The Person as Actor, the Actor as Person: Personality from a Dramaturgical Perspective; Drama in Personality Assessment; Dramatizing Assessment; Why is the MBTI So Compelling and Dramatic?; References; 3: The Drama of the Scientific Life.
Contents: 6: Paradoxes of Well-being: A Dramatic Analysis Standard Assumptions About Well-being Are Questionable; The Two Major Paradoxes of Well-being: "Eutrophication" and "Out of the Mud Grows the Lotus"; Drama and the Paradoxes of Well-being; In Sum: Reflections on the Separation of Joy and Reason; References; 7: Narratives of Addiction; Biology and Biography; Doing What Works; Stories of Failure and Failed Stories; Institutional Structures and the Context of Addictions; A Success Story; Conclusions; References; 8: On the Psychological Absurdity of a War on Terror.
Contents: On the Secondary Gain of Shame and Guilt in the Drama of LifeReferences; 5: The Drama of Fear; Escaping Pain and Avoidance Responses; The Face of Fear; The Enduring Effects of Public Disasters; Disaster Produces Drama, and with It Meaning; Qui Bono?; Replacing Fear with Confidence: The End of the Great Depression and the Control of Inflation in Brazil; The Extremes of Fear Are Greater than the Extremes of Greed; Incongruity: A Source of Fear and Humor; Cheap Thrills and Fear; Cosmic Fear; The Functions of Fear in the Dramatic Context; References.
Contents: The Drama of Everyday Life The Arbitrary Becomes Essential; Dramatic Contexts; Major and Minor Actors and the Audience; The Drama of Reciprocal Action; Conclusions and Cautions; References; 4: Reflections on the Drama of Shame and Guilt; Classical Images of Shame and Guilt; Adam and Eve; Cain and Abel; Lessons from the Classical Cases; Some Dramatic Representations of Shame and Guilt; Othello; Death of a Salesman; Equus; Cyrano de Bergerac; Life is Not Neat: Mergings of Shame and Guilt and Other Complications; Emancipation; False Shame and False Guilt; Coping and Legitimacy.
Contents: The War on Terror as a Chimera Strategy, Tactics, and the War on Terror; The Preconditions for Terrorism; Reflections on the Rhetoric of Terror; Perverse Consequences and the Prospect of Reversal; The Conundrum of Terrorism from Above; Ingroups and Outgroups: Conflicts Formed and Dissolved; References; 9: Three Modes of Human Aggression, Plus Pure Evil; The Three Kinds of Ordinary Aggression; Caused Happenings Versus Reasoned Actions; The First Type: Aggressive Acts As Caused Happenings; The Second and Third Types: Reasoned Actions with Selfish Purposes or Self-transcending Purposes.Preface; Acknowledgments; Contents; List of Figures; 1: Profound Drama; Drama, Appearance, Reality, and Depth1; The Importance of Profound Drama; The Provision of Depth Through Narrative; Breakdowns; Damage to Life's Dramatic Temple, the Body; The Return to Spirit; A Study in Shallowness: Donald Trump; Character as Depth; References; 2: The Person as Actor, the Actor as Person: Personality from a Dramaturgical Perspective; Drama in Personality Assessment; Dramatizing Assessment; Why is the MBTI So Compelling and Dramatic?; References; 3: The Drama of the Scientific Life.
Contents: 6: Paradoxes of Well-being: A Dramatic Analysis Standard Assumptions About Well-being Are Questionable; The Two Major Paradoxes of Well-being: "Eutrophication" and "Out of the Mud Grows the Lotus"; Drama and the Paradoxes of Well-being; In Sum: Reflections on the Separation of Joy and Reason; References; 7: Narratives of Addiction; Biology and Biography; Doing What Works; Stories of Failure and Failed Stories; Institutional Structures and the Context of Addictions; A Success Story; Conclusions; References; 8: On the Psychological Absurdity of a War on Terror.
Contents: On the Secondary Gain of Shame and Guilt in the Drama of LifeReferences; 5: The Drama of Fear; Escaping Pain and Avoidance Responses; The Face of Fear; The Enduring Effects of Public Disasters; Disaster Produces Drama, and with It Meaning; Qui Bono?; Replacing Fear with Confidence: The End of the Great Depression and the Control of Inflation in Brazil; The Extremes of Fear Are Greater than the Extremes of Greed; Incongruity: A Source of Fear and Humor; Cheap Thrills and Fear; Cosmic Fear; The Functions of Fear in the Dramatic Context; References.
Contents: The Drama of Everyday Life The Arbitrary Becomes Essential; Dramatic Contexts; Major and Minor Actors and the Audience; The Drama of Reciprocal Action; Conclusions and Cautions; References; 4: Reflections on the Drama of Shame and Guilt; Classical Images of Shame and Guilt; Adam and Eve; Cain and Abel; Lessons from the Classical Cases; Some Dramatic Representations of Shame and Guilt; Othello; Death of a Salesman; Equus; Cyrano de Bergerac; Life is Not Neat: Mergings of Shame and Guilt and Other Complications; Emancipation; False Shame and False Guilt; Coping and Legitimacy.
Contents: The War on Terror as a Chimera Strategy, Tactics, and the War on Terror; The Preconditions for Terrorism; Reflections on the Rhetoric of Terror; Perverse Consequences and the Prospect of Reversal; The Conundrum of Terrorism from Above; Ingroups and Outgroups: Conflicts Formed and Dissolved; References; 9: Three Modes of Human Aggression, Plus Pure Evil; The Three Kinds of Ordinary Aggression; Caused Happenings Versus Reasoned Actions; The First Type: Aggressive Acts As Caused Happenings; The Second and Third Types: Reasoned Actions with Selfish Purposes or Self-transcending Purposes. |
format |
Book |
author |
Scheibe, Karl E. |
author_facet |
Scheibe, Karl E. |
author_sort |
Scheibe, Karl E. |
title |
Deep drama : exploring life as theatre |
title_short |
Deep drama : exploring life as theatre |
title_full |
Deep drama : exploring life as theatre |
title_fullStr |
Deep drama : exploring life as theatre |
title_full_unstemmed |
Deep drama : exploring life as theatre |
title_sort |
deep drama : exploring life as theatre |
publisher |
Palgrave Macmillan |
publishDate |
2020 |
url |
http://repository.vnu.edu.vn/handle/VNU_123/81945 |
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1681763368001601536 |
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oai:112.137.131.14:VNU_123-819452020-10-14T03:56:25Z Deep drama : exploring life as theatre Scheibe, Karl E. Psychoanalysis and the arts; Drama -- Psychological aspects; Psychology; ART -- Performance; ART -- Reference; Drama -- Psychological aspects; Psychoanalysis and the arts; Psychology; Electronic books; Electronic books 700.19 SCH 2017 Preface; Acknowledgments; Contents; List of Figures; 1: Profound Drama; Drama, Appearance, Reality, and Depth1; The Importance of Profound Drama; The Provision of Depth Through Narrative; Breakdowns; Damage to Life's Dramatic Temple, the Body; The Return to Spirit; A Study in Shallowness: Donald Trump; Character as Depth; References; 2: The Person as Actor, the Actor as Person: Personality from a Dramaturgical Perspective; Drama in Personality Assessment; Dramatizing Assessment; Why is the MBTI So Compelling and Dramatic?; References; 3: The Drama of the Scientific Life. Contents: 6: Paradoxes of Well-being: A Dramatic Analysis Standard Assumptions About Well-being Are Questionable; The Two Major Paradoxes of Well-being: "Eutrophication" and "Out of the Mud Grows the Lotus"; Drama and the Paradoxes of Well-being; In Sum: Reflections on the Separation of Joy and Reason; References; 7: Narratives of Addiction; Biology and Biography; Doing What Works; Stories of Failure and Failed Stories; Institutional Structures and the Context of Addictions; A Success Story; Conclusions; References; 8: On the Psychological Absurdity of a War on Terror. Contents: On the Secondary Gain of Shame and Guilt in the Drama of LifeReferences; 5: The Drama of Fear; Escaping Pain and Avoidance Responses; The Face of Fear; The Enduring Effects of Public Disasters; Disaster Produces Drama, and with It Meaning; Qui Bono?; Replacing Fear with Confidence: The End of the Great Depression and the Control of Inflation in Brazil; The Extremes of Fear Are Greater than the Extremes of Greed; Incongruity: A Source of Fear and Humor; Cheap Thrills and Fear; Cosmic Fear; The Functions of Fear in the Dramatic Context; References. Contents: The Drama of Everyday Life The Arbitrary Becomes Essential; Dramatic Contexts; Major and Minor Actors and the Audience; The Drama of Reciprocal Action; Conclusions and Cautions; References; 4: Reflections on the Drama of Shame and Guilt; Classical Images of Shame and Guilt; Adam and Eve; Cain and Abel; Lessons from the Classical Cases; Some Dramatic Representations of Shame and Guilt; Othello; Death of a Salesman; Equus; Cyrano de Bergerac; Life is Not Neat: Mergings of Shame and Guilt and Other Complications; Emancipation; False Shame and False Guilt; Coping and Legitimacy. Contents: The War on Terror as a Chimera Strategy, Tactics, and the War on Terror; The Preconditions for Terrorism; Reflections on the Rhetoric of Terror; Perverse Consequences and the Prospect of Reversal; The Conundrum of Terrorism from Above; Ingroups and Outgroups: Conflicts Formed and Dissolved; References; 9: Three Modes of Human Aggression, Plus Pure Evil; The Three Kinds of Ordinary Aggression; Caused Happenings Versus Reasoned Actions; The First Type: Aggressive Acts As Caused Happenings; The Second and Third Types: Reasoned Actions with Selfish Purposes or Self-transcending Purposes.Preface; Acknowledgments; Contents; List of Figures; 1: Profound Drama; Drama, Appearance, Reality, and Depth1; The Importance of Profound Drama; The Provision of Depth Through Narrative; Breakdowns; Damage to Life's Dramatic Temple, the Body; The Return to Spirit; A Study in Shallowness: Donald Trump; Character as Depth; References; 2: The Person as Actor, the Actor as Person: Personality from a Dramaturgical Perspective; Drama in Personality Assessment; Dramatizing Assessment; Why is the MBTI So Compelling and Dramatic?; References; 3: The Drama of the Scientific Life. Contents: 6: Paradoxes of Well-being: A Dramatic Analysis Standard Assumptions About Well-being Are Questionable; The Two Major Paradoxes of Well-being: "Eutrophication" and "Out of the Mud Grows the Lotus"; Drama and the Paradoxes of Well-being; In Sum: Reflections on the Separation of Joy and Reason; References; 7: Narratives of Addiction; Biology and Biography; Doing What Works; Stories of Failure and Failed Stories; Institutional Structures and the Context of Addictions; A Success Story; Conclusions; References; 8: On the Psychological Absurdity of a War on Terror. Contents: On the Secondary Gain of Shame and Guilt in the Drama of LifeReferences; 5: The Drama of Fear; Escaping Pain and Avoidance Responses; The Face of Fear; The Enduring Effects of Public Disasters; Disaster Produces Drama, and with It Meaning; Qui Bono?; Replacing Fear with Confidence: The End of the Great Depression and the Control of Inflation in Brazil; The Extremes of Fear Are Greater than the Extremes of Greed; Incongruity: A Source of Fear and Humor; Cheap Thrills and Fear; Cosmic Fear; The Functions of Fear in the Dramatic Context; References. Contents: The Drama of Everyday Life The Arbitrary Becomes Essential; Dramatic Contexts; Major and Minor Actors and the Audience; The Drama of Reciprocal Action; Conclusions and Cautions; References; 4: Reflections on the Drama of Shame and Guilt; Classical Images of Shame and Guilt; Adam and Eve; Cain and Abel; Lessons from the Classical Cases; Some Dramatic Representations of Shame and Guilt; Othello; Death of a Salesman; Equus; Cyrano de Bergerac; Life is Not Neat: Mergings of Shame and Guilt and Other Complications; Emancipation; False Shame and False Guilt; Coping and Legitimacy. Contents: The War on Terror as a Chimera Strategy, Tactics, and the War on Terror; The Preconditions for Terrorism; Reflections on the Rhetoric of Terror; Perverse Consequences and the Prospect of Reversal; The Conundrum of Terrorism from Above; Ingroups and Outgroups: Conflicts Formed and Dissolved; References; 9: Three Modes of Human Aggression, Plus Pure Evil; The Three Kinds of Ordinary Aggression; Caused Happenings Versus Reasoned Actions; The First Type: Aggressive Acts As Caused Happenings; The Second and Third Types: Reasoned Actions with Selfish Purposes or Self-transcending Purposes. 2020-04-15T10:12:19Z 2020-04-15T10:12:19Z 2017 Book 9783319629865 http://repository.vnu.edu.vn/handle/VNU_123/81945 en © Te Editor(s) (if applicable) and Te Author(s) 2017 227 p. application/pdf Palgrave Macmillan |