Hermeneutics of the film world: a Ricœurian method for film interpretation
Machine generated contents note: pt. I Definition of the Method -- Film and Philosophy -- Relationship Between Film and Philosophy -- Possible Approaches to Film Philosophy -- Film as Philosophy -- Towards a New Methodological Approach to FaP -- References -- Phenomenology of Film --Phenomenology as...
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oai:112.137.131.14:VNU_123-875072020-10-14T03:56:27Z Hermeneutics of the film world: a Ricœurian method for film interpretation Baracco, Alberto Motion pictures--Hermeneutics 791.4301 Machine generated contents note: pt. I Definition of the Method -- Film and Philosophy -- Relationship Between Film and Philosophy -- Possible Approaches to Film Philosophy -- Film as Philosophy -- Towards a New Methodological Approach to FaP -- References -- Phenomenology of Film --Phenomenology as the Presupposition of Hermeneutics -- Embodiment, Intentionality and the Synthetic and Synaesthetic Process -- Film Experience as (Re)perception -- Film World Through Phenomenology and Hermeneutics --References -- Film Worlds -- Films as Film Worlds -- Film World as Experienceable Expression and Analysable Object -- Film Worlds Making -- Film World as Hermeneutic Horizon --References --Hermeneutics of Film -- Merleau-Ponty's Phenomenology and Ricœur's Hermeneutics -- Film Interpretation -- Ricœurian Hermeneutics of Film -- Hermeneutic Methodologies in Film -- References -- Film Hermeneutic Method -- Hermeneutics and Method -- Ricœur's Symbolic Interpretation and the Conflict of Interpretations -- Dialectic of Understanding and Explanation -- Schematizing Ricœur's Hermeneutic Method Towards a Hermeneutic Method for Film Interpretation -- Structure and Phases of the Method -- Structure of the Method -- References -- Application of the Method -- Case Studies -- Case Study Research --Case Studies and Film Worlds -- References -- Manhattan: The Film World as Identity -- Phase 1: Naive Understanding -- Phase 2: From Explanation to In-Depth Understanding -- Phase 3: Critical Understanding and Appropriation -- References -- King of Comedy: The Film World as Representation -- Phase 1: Naive Understanding -- Phase 2: From Explanation to in-Depth Understanding -- Phase 3: Critical Understanding and Appropriation -- References -- Pretty Woman: The Film World as Dream Phase 1: Naive Understanding -- Phase 2: From Explanation to In-Depth Understanding -- Phase 3: Critical Understanding and Appropriation --References. 2020-05-14T02:21:45Z 2020-05-14T02:21:45Z 2017 Book 9783319654003 http://repository.vnu.edu.vn/handle/VNU_123/87507 en © The Editor(s) (if applicable) and The Author(s) 2017 335 p. application/pdf Palgrave Macmillan |
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Motion pictures--Hermeneutics 791.4301 |
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Motion pictures--Hermeneutics 791.4301 Baracco, Alberto Hermeneutics of the film world: a Ricœurian method for film interpretation |
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Machine generated contents note: pt. I Definition of the Method -- Film and Philosophy -- Relationship Between Film and Philosophy -- Possible Approaches to Film Philosophy -- Film as Philosophy -- Towards a New Methodological Approach to FaP -- References -- Phenomenology of Film --Phenomenology as the Presupposition of Hermeneutics -- Embodiment, Intentionality and the Synthetic and Synaesthetic Process -- Film Experience as (Re)perception -- Film World Through Phenomenology and Hermeneutics --References -- Film Worlds -- Films as Film Worlds -- Film World as Experienceable Expression and Analysable Object -- Film Worlds Making -- Film World as Hermeneutic Horizon --References --Hermeneutics of Film -- Merleau-Ponty's Phenomenology and Ricœur's Hermeneutics -- Film Interpretation -- Ricœurian Hermeneutics of Film -- Hermeneutic Methodologies in Film -- References -- Film Hermeneutic Method -- Hermeneutics and Method -- Ricœur's Symbolic Interpretation and the Conflict of Interpretations -- Dialectic of Understanding and Explanation -- Schematizing Ricœur's Hermeneutic Method Towards a Hermeneutic Method for Film Interpretation -- Structure and Phases of the Method -- Structure of the Method -- References -- Application of the Method -- Case Studies -- Case Study Research --Case Studies and Film Worlds -- References -- Manhattan: The Film World as Identity -- Phase 1: Naive Understanding -- Phase 2: From Explanation to In-Depth Understanding -- Phase 3: Critical Understanding and Appropriation -- References -- King of Comedy: The Film World as Representation -- Phase 1: Naive Understanding -- Phase 2: From Explanation to in-Depth Understanding -- Phase 3: Critical Understanding and Appropriation -- References -- Pretty Woman: The Film World as Dream Phase 1: Naive Understanding -- Phase 2: From Explanation to In-Depth Understanding -- Phase 3: Critical Understanding and Appropriation --References. |
format |
Book |
author |
Baracco, Alberto |
author_facet |
Baracco, Alberto |
author_sort |
Baracco, Alberto |
title |
Hermeneutics of the film world: a Ricœurian method for film interpretation |
title_short |
Hermeneutics of the film world: a Ricœurian method for film interpretation |
title_full |
Hermeneutics of the film world: a Ricœurian method for film interpretation |
title_fullStr |
Hermeneutics of the film world: a Ricœurian method for film interpretation |
title_full_unstemmed |
Hermeneutics of the film world: a Ricœurian method for film interpretation |
title_sort |
hermeneutics of the film world: a ricœurian method for film interpretation |
publisher |
Palgrave Macmillan |
publishDate |
2020 |
url |
http://repository.vnu.edu.vn/handle/VNU_123/87507 |
_version_ |
1681763459772973056 |