Gender, otherness, and culture in medieval and early modern art
This collection examines gender and otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The tex...
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2020
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oai:112.137.131.14:VNU_123-922682020-10-14T03:56:26Z Gender, otherness, and culture in medieval and early modern art Bradbury, Carlee A. ; Moseley-Christian, Michelle Gender identity in art--Congresses ; Other (Philosophy) in art|vCongresses ; Art and society 700 GEN 2017 This collection examines gender and otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others 2020-08-26T09:24:49Z 2020-08-26T09:24:49Z 2017 Book http://repository.vnu.edu.vn/handle/VNU_123/92268 en © The Editor(s) (if applicable) and The Author(s) 2017 255 p. application/pdf Palgrave Macmillan |
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Gender identity in art--Congresses ; Other (Philosophy) in art|vCongresses ; Art and society 700 GEN 2017 |
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Gender identity in art--Congresses ; Other (Philosophy) in art|vCongresses ; Art and society 700 GEN 2017 Gender, otherness, and culture in medieval and early modern art |
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This collection examines gender and otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others |
author2 |
Bradbury, Carlee A. ; Moseley-Christian, Michelle |
author_facet |
Bradbury, Carlee A. ; Moseley-Christian, Michelle |
format |
Book |
title |
Gender, otherness, and culture in medieval and early modern art |
title_short |
Gender, otherness, and culture in medieval and early modern art |
title_full |
Gender, otherness, and culture in medieval and early modern art |
title_fullStr |
Gender, otherness, and culture in medieval and early modern art |
title_full_unstemmed |
Gender, otherness, and culture in medieval and early modern art |
title_sort |
gender, otherness, and culture in medieval and early modern art |
publisher |
Palgrave Macmillan |
publishDate |
2020 |
url |
http://repository.vnu.edu.vn/handle/VNU_123/92268 |
_version_ |
1681763424684474368 |