Gender, otherness, and culture in medieval and early modern art

This collection examines gender and otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The tex...

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Other Authors: Bradbury, Carlee A. ; Moseley-Christian, Michelle
Format: Book
Language:English
Published: Palgrave Macmillan 2020
Subjects:
Online Access:http://repository.vnu.edu.vn/handle/VNU_123/92268
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Institution: Vietnam National University, Hanoi
Language: English
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spelling oai:112.137.131.14:VNU_123-922682020-10-14T03:56:26Z Gender, otherness, and culture in medieval and early modern art Bradbury, Carlee A. ; Moseley-Christian, Michelle Gender identity in art--Congresses ; Other (Philosophy) in art|vCongresses ; Art and society 700 GEN 2017 This collection examines gender and otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others 2020-08-26T09:24:49Z 2020-08-26T09:24:49Z 2017 Book http://repository.vnu.edu.vn/handle/VNU_123/92268 en © The Editor(s) (if applicable) and The Author(s) 2017 255 p. application/pdf Palgrave Macmillan
institution Vietnam National University, Hanoi
building VNU Library & Information Center
continent Asia
country Vietnam
Vietnam
content_provider VNU Library and Information Center
collection VNU Digital Repository
language English
topic Gender identity in art--Congresses ; Other (Philosophy) in art|vCongresses ; Art and society
700 GEN 2017
spellingShingle Gender identity in art--Congresses ; Other (Philosophy) in art|vCongresses ; Art and society
700 GEN 2017
Gender, otherness, and culture in medieval and early modern art
description This collection examines gender and otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others
author2 Bradbury, Carlee A. ; Moseley-Christian, Michelle
author_facet Bradbury, Carlee A. ; Moseley-Christian, Michelle
format Book
title Gender, otherness, and culture in medieval and early modern art
title_short Gender, otherness, and culture in medieval and early modern art
title_full Gender, otherness, and culture in medieval and early modern art
title_fullStr Gender, otherness, and culture in medieval and early modern art
title_full_unstemmed Gender, otherness, and culture in medieval and early modern art
title_sort gender, otherness, and culture in medieval and early modern art
publisher Palgrave Macmillan
publishDate 2020
url http://repository.vnu.edu.vn/handle/VNU_123/92268
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