Hesitant histories on the Romanian screen
This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films...
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Palgrave Macmillan
2020
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oai:112.137.131.14:VNU_123-923312020-10-14T03:56:28Z Hesitant histories on the Romanian screen Strausz, László Motion pictures--Romania--History--20th century ; Motion pictures 791.4309498 STR 2017 This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation. 2020-08-26T09:26:08Z 2020-08-26T09:26:08Z Book 9783319552712 http://repository.vnu.edu.vn/handle/VNU_123/92331 en © The Editor(s) (if applicable) and The Author(s) 2017 262 p. application/pdf Palgrave Macmillan |
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Motion pictures--Romania--History--20th century ; Motion pictures 791.4309498 STR 2017 |
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Motion pictures--Romania--History--20th century ; Motion pictures 791.4309498 STR 2017 Strausz, László Hesitant histories on the Romanian screen |
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This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation. |
format |
Book |
author |
Strausz, László |
author_facet |
Strausz, László |
author_sort |
Strausz, László |
title |
Hesitant histories on the Romanian screen |
title_short |
Hesitant histories on the Romanian screen |
title_full |
Hesitant histories on the Romanian screen |
title_fullStr |
Hesitant histories on the Romanian screen |
title_full_unstemmed |
Hesitant histories on the Romanian screen |
title_sort |
hesitant histories on the romanian screen |
publisher |
Palgrave Macmillan |
publishDate |
2020 |
url |
http://repository.vnu.edu.vn/handle/VNU_123/92331 |
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1681763478455451648 |