Examining Flow through Auto-ethnography and Performance Studies

• Main Author: Maiquez, Reagan Romero
• Format: text
• Published: Animo Repository 2021
• Subjects: flow; cultural performance; Philippine performance studies; engaged participation; witnessing; Theatre and Performance Studies
• Online Access: https://animorepository.dlsu.edu.ph/akda/vol1/iss1/3; https://animorepository.dlsu.edu.ph/context/akda/article/1002/viewcontent/2_Maiquez_Autoethnography_20and_20Performance_20Studies_Akda_201_281_29.pdf
• Institution: De La Salle University

The Sinulog Festival is a fiesta that happens annually in the city and island-province of Cebu, Philippines every December-January. It is a massive pilgrimage to the Santo Niño or the religious image of Christ figured as a child king and a tourist event full of dancing and festive performances. In this essay, I examine a small portion of this festival or the parade to interpret flow. The concept of flow in academic terms is fluid and multifaceted, having been construed in a number of ways in the social sciences and the humanities. Various studies have also cited flow as an explanation of mobility between transnational places. In this paper, I examine and locate flow not through global and transnational perspectives but within a localized and micro-perspective of performance studies and auto-ethnography. I suggest that flow in the Sinulog parade is an engaged participation and witnessing of people emplaced and performing in this event. This form of engaged participation and witnessing reveals a complex sociality by a performing public during a sacred and festive event within Cebu, Philippines.