The Haunting Power of Sound in Aswang

This paper examines the audibility of Aswang (2019), the first feature-length documentary that tackles Philippine President Rodrigo Duterte’s war on drugs. I locate the documentary against the audibility of terror produced by the Duterte regime, accentuated by the primary metaphor of the aswang lege...

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Main Author: Macapagal, Katrina
Format: text
Published: Animo Repository 2021
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Online Access:https://animorepository.dlsu.edu.ph/akda/vol1/iss2/5
https://animorepository.dlsu.edu.ph/context/akda/article/1014/viewcontent/4_Macapagal_The_20Haunting_20Power_20of_20Sound_20in_20Aswang_Akda_201_282_29.pdf
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spelling oai:animorepository.dlsu.edu.ph:akda-10142023-06-07T13:18:27Z The Haunting Power of Sound in Aswang Macapagal, Katrina This paper examines the audibility of Aswang (2019), the first feature-length documentary that tackles Philippine President Rodrigo Duterte’s war on drugs. I locate the documentary against the audibility of terror produced by the Duterte regime, accentuated by the primary metaphor of the aswang legend where the documentary initially draws its political charge. Inspired by theories of sound and haptic listening, I argue that Aswang, through its composition of key sound elements such as the voice-over, music, and urban noise, configures an overall audibility that amplifies, rather than reduces, the humanity of the documentary’s subjects. 2021-10-31T07:00:00Z text application/pdf https://animorepository.dlsu.edu.ph/akda/vol1/iss2/5 info:doi/10.59588/2782-8875.1014 https://animorepository.dlsu.edu.ph/context/akda/article/1014/viewcontent/4_Macapagal_The_20Haunting_20Power_20of_20Sound_20in_20Aswang_Akda_201_282_29.pdf Akda: The Asian Journal of Literature, Culture, Performance Animo Repository aswang Philippine documentary haptic listening haptic aurality politics of listening Duterte war on drugs Philippine films Film and Media Studies Pacific Islands Languages and Societies South and Southeast Asian Languages and Societies
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
topic aswang
Philippine documentary
haptic listening
haptic aurality
politics of listening
Duterte
war on drugs
Philippine films
Film and Media Studies
Pacific Islands Languages and Societies
South and Southeast Asian Languages and Societies
spellingShingle aswang
Philippine documentary
haptic listening
haptic aurality
politics of listening
Duterte
war on drugs
Philippine films
Film and Media Studies
Pacific Islands Languages and Societies
South and Southeast Asian Languages and Societies
Macapagal, Katrina
The Haunting Power of Sound in Aswang
description This paper examines the audibility of Aswang (2019), the first feature-length documentary that tackles Philippine President Rodrigo Duterte’s war on drugs. I locate the documentary against the audibility of terror produced by the Duterte regime, accentuated by the primary metaphor of the aswang legend where the documentary initially draws its political charge. Inspired by theories of sound and haptic listening, I argue that Aswang, through its composition of key sound elements such as the voice-over, music, and urban noise, configures an overall audibility that amplifies, rather than reduces, the humanity of the documentary’s subjects.
format text
author Macapagal, Katrina
author_facet Macapagal, Katrina
author_sort Macapagal, Katrina
title The Haunting Power of Sound in Aswang
title_short The Haunting Power of Sound in Aswang
title_full The Haunting Power of Sound in Aswang
title_fullStr The Haunting Power of Sound in Aswang
title_full_unstemmed The Haunting Power of Sound in Aswang
title_sort haunting power of sound in aswang
publisher Animo Repository
publishDate 2021
url https://animorepository.dlsu.edu.ph/akda/vol1/iss2/5
https://animorepository.dlsu.edu.ph/context/akda/article/1014/viewcontent/4_Macapagal_The_20Haunting_20Power_20of_20Sound_20in_20Aswang_Akda_201_282_29.pdf
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