Precarity and Motherhood in Philippine Trans Cinema
In this short essay, I reflect on representations and themes in trans cinema in the Philippines. I examine the emerging and intersecting themes of precarity and motherhood in two recent films –Rod Singh’s Mamu and a Mother too (2018), and Isabel Sandoval’s Lingua Franca (2020). I look at how economi...
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oai:animorepository.dlsu.edu.ph:akda-10232023-06-07T14:05:50Z Precarity and Motherhood in Philippine Trans Cinema Inton-Campbell, Mikee In this short essay, I reflect on representations and themes in trans cinema in the Philippines. I examine the emerging and intersecting themes of precarity and motherhood in two recent films –Rod Singh’s Mamu and a Mother too (2018), and Isabel Sandoval’s Lingua Franca (2020). I look at how economic and social precarity tends to pervade the lives of trans women, and how transness itself becomes a form of precarity under the legal system’s lack of accommodation to trans rights. I also examine trans motherhood and make the argument that while it destabilizes biology as the root of motherhood, it also reifies traditional tropes of Filipina motherhood that center it on self-sacrifice. Finally, I look at how precarity and motherhood intersect in Philippine Trans Cinema. 2022-01-31T08:00:00Z text application/pdf https://animorepository.dlsu.edu.ph/akda/vol1/iss3/6 info:doi/10.59588/2782-8875.1023 https://animorepository.dlsu.edu.ph/context/akda/article/1023/viewcontent/5_Campbell_Trans_20Cinema_Akda_201_283_29.pdf Akda: The Asian Journal of Literature, Culture, Performance Animo Repository Trans Cinema Precarity Trans Motherhood Transgender Studies Feminist, Gender, and Sexuality Studies Film and Media Studies Pacific Islands Languages and Societies South and Southeast Asian Languages and Societies |
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Trans Cinema Precarity Trans Motherhood Transgender Studies Feminist, Gender, and Sexuality Studies Film and Media Studies Pacific Islands Languages and Societies South and Southeast Asian Languages and Societies |
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Trans Cinema Precarity Trans Motherhood Transgender Studies Feminist, Gender, and Sexuality Studies Film and Media Studies Pacific Islands Languages and Societies South and Southeast Asian Languages and Societies Inton-Campbell, Mikee Precarity and Motherhood in Philippine Trans Cinema |
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In this short essay, I reflect on representations and themes in trans cinema in the Philippines. I examine the emerging and intersecting themes of precarity and motherhood in two recent films –Rod Singh’s Mamu and a Mother too (2018), and Isabel Sandoval’s Lingua Franca (2020). I look at how economic and social precarity tends to pervade the lives of trans women, and how transness itself becomes a form of precarity under the legal system’s lack of accommodation to trans rights. I also examine trans motherhood and make the argument that while it destabilizes biology as the root of motherhood, it also reifies traditional tropes of Filipina motherhood that center it on self-sacrifice. Finally, I look at how precarity and motherhood intersect in Philippine Trans Cinema. |
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text |
author |
Inton-Campbell, Mikee |
author_facet |
Inton-Campbell, Mikee |
author_sort |
Inton-Campbell, Mikee |
title |
Precarity and Motherhood in Philippine Trans Cinema |
title_short |
Precarity and Motherhood in Philippine Trans Cinema |
title_full |
Precarity and Motherhood in Philippine Trans Cinema |
title_fullStr |
Precarity and Motherhood in Philippine Trans Cinema |
title_full_unstemmed |
Precarity and Motherhood in Philippine Trans Cinema |
title_sort |
precarity and motherhood in philippine trans cinema |
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Animo Repository |
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2022 |
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https://animorepository.dlsu.edu.ph/akda/vol1/iss3/6 https://animorepository.dlsu.edu.ph/context/akda/article/1023/viewcontent/5_Campbell_Trans_20Cinema_Akda_201_283_29.pdf |
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