The Actor in Flux: Transforming Acting Techniques through Individuality

Most young aspiring actors are searching to ground themselves to begin their acting journey, to define, understand, and apply “acting” in their careers. Through this paper, I will attempt to formulate a personal approach to acting with the data gathered anchored in autotheory. The study does not wan...

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Main Author: Tolentino, Christian Gabriel
Format: text
Published: Animo Repository 2024
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Online Access:https://animorepository.dlsu.edu.ph/akda/vol4/iss1/5
https://animorepository.dlsu.edu.ph/context/akda/article/1069/viewcontent/4_Tolentino.pdf
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Institution: De La Salle University
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spelling oai:animorepository.dlsu.edu.ph:akda-10692024-05-29T04:51:32Z The Actor in Flux: Transforming Acting Techniques through Individuality Tolentino, Christian Gabriel Most young aspiring actors are searching to ground themselves to begin their acting journey, to define, understand, and apply “acting” in their careers. Through this paper, I will attempt to formulate a personal approach to acting with the data gathered anchored in autotheory. The study does not want to dictate an appropriate approach for all actors but rather gives a chance for actors to reflect on their individuality as actors/artists. The meat of the text will include a brief history of acting techniques from Europe, to America and eventually the Philippines and see how these techniques/processes/methods converse. I will delve into two different acting workshops I participated namely Angeli Bayani’s Meisner Acting Workshop rooted in Sanford Meisner’s The Meisner Technique and Dr. Anton Juan’s Actor as a Portal which is framed with four elements, will, action, imagination, and memory. In the process of defining acting and grounding ourselves as actors through techniques and processes in history and in practice, I discovered that actors should continuously rediscover and redefine what is acting for them and produce truthful characters on stage. The Actor in Flux relies on the openness to the truth and demands of the character and collaborators. It also requires the actor to be knowledgeable about different acting styles to formulate a process/es that match/es their individuality. Beyond that, I also witnessed how being in flux could also germinate not only onstage but through identity/ies and sensibility/ies that continuously transform the fluxed artist. 2024-04-01T07:00:00Z text application/pdf https://animorepository.dlsu.edu.ph/akda/vol4/iss1/5 info:doi/10.59588/2782-8875.1069 https://animorepository.dlsu.edu.ph/context/akda/article/1069/viewcontent/4_Tolentino.pdf Akda: The Asian Journal of Literature, Culture, Performance Animo Repository acting techniques fluxed acting performance autotheory Acting Art and Design Art Practice Theatre and Performance Studies
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
topic acting techniques
fluxed acting
performance
autotheory
Acting
Art and Design
Art Practice
Theatre and Performance Studies
spellingShingle acting techniques
fluxed acting
performance
autotheory
Acting
Art and Design
Art Practice
Theatre and Performance Studies
Tolentino, Christian Gabriel
The Actor in Flux: Transforming Acting Techniques through Individuality
description Most young aspiring actors are searching to ground themselves to begin their acting journey, to define, understand, and apply “acting” in their careers. Through this paper, I will attempt to formulate a personal approach to acting with the data gathered anchored in autotheory. The study does not want to dictate an appropriate approach for all actors but rather gives a chance for actors to reflect on their individuality as actors/artists. The meat of the text will include a brief history of acting techniques from Europe, to America and eventually the Philippines and see how these techniques/processes/methods converse. I will delve into two different acting workshops I participated namely Angeli Bayani’s Meisner Acting Workshop rooted in Sanford Meisner’s The Meisner Technique and Dr. Anton Juan’s Actor as a Portal which is framed with four elements, will, action, imagination, and memory. In the process of defining acting and grounding ourselves as actors through techniques and processes in history and in practice, I discovered that actors should continuously rediscover and redefine what is acting for them and produce truthful characters on stage. The Actor in Flux relies on the openness to the truth and demands of the character and collaborators. It also requires the actor to be knowledgeable about different acting styles to formulate a process/es that match/es their individuality. Beyond that, I also witnessed how being in flux could also germinate not only onstage but through identity/ies and sensibility/ies that continuously transform the fluxed artist.
format text
author Tolentino, Christian Gabriel
author_facet Tolentino, Christian Gabriel
author_sort Tolentino, Christian Gabriel
title The Actor in Flux: Transforming Acting Techniques through Individuality
title_short The Actor in Flux: Transforming Acting Techniques through Individuality
title_full The Actor in Flux: Transforming Acting Techniques through Individuality
title_fullStr The Actor in Flux: Transforming Acting Techniques through Individuality
title_full_unstemmed The Actor in Flux: Transforming Acting Techniques through Individuality
title_sort actor in flux: transforming acting techniques through individuality
publisher Animo Repository
publishDate 2024
url https://animorepository.dlsu.edu.ph/akda/vol4/iss1/5
https://animorepository.dlsu.edu.ph/context/akda/article/1069/viewcontent/4_Tolentino.pdf
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