Following the Wounded Women in Isabela
This article examines some elements in the crafting of my novel, Isabela (2024), particularly its novelistic formation, and its take on the emblematic figure of the wounded woman in war. I demonstrate what non-conventional stylistic and conceptual decisions give the story its syncretic mode of thoug...
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oai:animorepository.dlsu.edu.ph:akda-10882024-12-04T16:42:26Z Following the Wounded Women in Isabela Aquino, Kaisa R. This article examines some elements in the crafting of my novel, Isabela (2024), particularly its novelistic formation, and its take on the emblematic figure of the wounded woman in war. I demonstrate what non-conventional stylistic and conceptual decisions give the story its syncretic mode of thought, as its trail shifts from city to barrio, one category of fiction to another, and one wounded woman to the next. I also argue that all these movements and turns are necessary in the novel’s project of representation, as it envisions to narrativize the ongoing historical moment that is the people’s struggle for liberation as the novel’s singular arc, and as it follows the diverging and thorny course of the rebolusyonarya’s heart, wherever she’s headed. 2024-10-01T07:00:00Z text application/pdf https://animorepository.dlsu.edu.ph/akda/vol4/iss2/5 info:doi/10.59588/2782-8875.1088 https://animorepository.dlsu.edu.ph/context/akda/article/1088/viewcontent/4_Aquino.pdf Akda: The Asian Journal of Literature, Culture, Performance Animo Repository fiction novel Philippine novel in english women in fiction women in war fiction Fiction Political History Women's Studies |
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fiction novel Philippine novel in english women in fiction women in war fiction Fiction Political History Women's Studies Aquino, Kaisa R. Following the Wounded Women in Isabela |
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This article examines some elements in the crafting of my novel, Isabela (2024), particularly its novelistic formation, and its take on the emblematic figure of the wounded woman in war. I demonstrate what non-conventional stylistic and conceptual decisions give the story its syncretic mode of thought, as its trail shifts from city to barrio, one category of fiction to another, and one wounded woman to the next. I also argue that all these movements and turns are necessary in the novel’s project of representation, as it envisions to narrativize the ongoing historical moment that is the people’s struggle for liberation as the novel’s singular arc, and as it follows the diverging and thorny course of the rebolusyonarya’s heart, wherever she’s headed. |
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text |
author |
Aquino, Kaisa R. |
author_facet |
Aquino, Kaisa R. |
author_sort |
Aquino, Kaisa R. |
title |
Following the Wounded Women in Isabela |
title_short |
Following the Wounded Women in Isabela |
title_full |
Following the Wounded Women in Isabela |
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Following the Wounded Women in Isabela |
title_full_unstemmed |
Following the Wounded Women in Isabela |
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following the wounded women in isabela |
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Animo Repository |
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2024 |
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https://animorepository.dlsu.edu.ph/akda/vol4/iss2/5 https://animorepository.dlsu.edu.ph/context/akda/article/1088/viewcontent/4_Aquino.pdf |
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