The Concept of Originality and Creativity in the Humanities, the Social Sciences and the Natural Sciences

The study was conducted to determine how 21 experts in the discipline clusters of humanities, the social sciences and the natural sciences defined originality and creativity in terms of how these concepts are understood and realized in the production of works in their respective disciplines, what re...

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Main Authors: Sta. Maria, Madelene, Cruz, Christopher, San Juan, Maria Judy, Tan, Charisse, Amarnani, Rajiv
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Published: Animo Repository 2022
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Online Access:https://animorepository.dlsu.edu.ph/apjipmi/vol1/iss1/12
https://animorepository.dlsu.edu.ph/context/apjipmi/article/1011/viewcontent/ra_3.pdf
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Institution: De La Salle University
id oai:animorepository.dlsu.edu.ph:apjipmi-1011
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spelling oai:animorepository.dlsu.edu.ph:apjipmi-10112023-05-23T00:09:22Z The Concept of Originality and Creativity in the Humanities, the Social Sciences and the Natural Sciences Sta. Maria, Madelene Cruz, Christopher San Juan, Maria Judy Tan, Charisse Amarnani, Rajiv The study was conducted to determine how 21 experts in the discipline clusters of humanities, the social sciences and the natural sciences defined originality and creativity in terms of how these concepts are understood and realized in the production of works in their respective disciplines, what related copyright issues emerge related to these concepts, and how these two concepts are related. Through thematic qualitative analysis of in-depth interview data, findings suggest that while there may be converging ideas about originality and creativity among the discipline clusters, the way this concept is operationalized by each discipline significantly vary. The study is deemed useful because apart from clarifying vague notions about original works, the study can serve as reference for legislators in amending the Copyright law, and for law practitioners in contextualizing cases involving original and derivative works, plagiarism and other related concepts. In this connection, the study provides the implications for the evaluation of the originality and creativity in works produced from the various discipline clusters. 2022-06-01T07:00:00Z text application/pdf https://animorepository.dlsu.edu.ph/apjipmi/vol1/iss1/12 info:doi/10.59588/2984-892X.1011 https://animorepository.dlsu.edu.ph/context/apjipmi/article/1011/viewcontent/ra_3.pdf Asia-Pacific Journal of IP Management and Innovation Animo Repository originality, creativity, copyright protection Intellectual Property Law Technology and Innovation
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
topic originality, creativity, copyright protection
Intellectual Property Law
Technology and Innovation
spellingShingle originality, creativity, copyright protection
Intellectual Property Law
Technology and Innovation
Sta. Maria, Madelene
Cruz, Christopher
San Juan, Maria Judy
Tan, Charisse
Amarnani, Rajiv
The Concept of Originality and Creativity in the Humanities, the Social Sciences and the Natural Sciences
description The study was conducted to determine how 21 experts in the discipline clusters of humanities, the social sciences and the natural sciences defined originality and creativity in terms of how these concepts are understood and realized in the production of works in their respective disciplines, what related copyright issues emerge related to these concepts, and how these two concepts are related. Through thematic qualitative analysis of in-depth interview data, findings suggest that while there may be converging ideas about originality and creativity among the discipline clusters, the way this concept is operationalized by each discipline significantly vary. The study is deemed useful because apart from clarifying vague notions about original works, the study can serve as reference for legislators in amending the Copyright law, and for law practitioners in contextualizing cases involving original and derivative works, plagiarism and other related concepts. In this connection, the study provides the implications for the evaluation of the originality and creativity in works produced from the various discipline clusters.
format text
author Sta. Maria, Madelene
Cruz, Christopher
San Juan, Maria Judy
Tan, Charisse
Amarnani, Rajiv
author_facet Sta. Maria, Madelene
Cruz, Christopher
San Juan, Maria Judy
Tan, Charisse
Amarnani, Rajiv
author_sort Sta. Maria, Madelene
title The Concept of Originality and Creativity in the Humanities, the Social Sciences and the Natural Sciences
title_short The Concept of Originality and Creativity in the Humanities, the Social Sciences and the Natural Sciences
title_full The Concept of Originality and Creativity in the Humanities, the Social Sciences and the Natural Sciences
title_fullStr The Concept of Originality and Creativity in the Humanities, the Social Sciences and the Natural Sciences
title_full_unstemmed The Concept of Originality and Creativity in the Humanities, the Social Sciences and the Natural Sciences
title_sort concept of originality and creativity in the humanities, the social sciences and the natural sciences
publisher Animo Repository
publishDate 2022
url https://animorepository.dlsu.edu.ph/apjipmi/vol1/iss1/12
https://animorepository.dlsu.edu.ph/context/apjipmi/article/1011/viewcontent/ra_3.pdf
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